Page 71 - Mounted Oriental Porcelain, The Getty Museum
P. 71

I I .  PAIR     O F  L I D D E D   J A R S





                                      THE PORCELAIN:  Chinese (Kangxi), 1662-1722
                                 THE  GILT-BRONZE  MOUNTS:  French (Paris), circa 1745-49
                                                                                    Z
                               l
                                                          1
                  HEIGHT:  i ft., /2  in.  (31.8 cm); WIDTH:  i ft., A in.  (31.2 cm); DIAMETER:  8 A in.  (21.6 cm)
                                                     72.DI.4I.I-.2,



            DESCRIPTION
            Each  circular  lidded  jar  consists  of  a  body  of bul-
        bous  shape;  a composite  domed  lid with  a flat  top; and
       gilt-bronze handles,  base, and finial.
            Each  has  been  slightly  cut  down  at  the  shoulder
       luting.  Each is decorated  with  underglaze blue and  iron
       red  and  gilt  on  a  white  ground,  with  phoenixes  flying
        amongst  scrolling and flowering tree peonies.
            The lip of the  bowl is encircled by a gilt-bronze rim
        chased  with  an  egg-and-leaf  molding.  On  each  side  a
        scrolled and divided handle, of seaweed form, is attached
        by pinned  hinges to  the  lip and  foot  mounts  (fig. IIB).
       They clasp the lower part of the base. The foot of the jar
        is mounted  with  a plain molding that rests in an elabo-  FIG. IIA
       rately  scrolled  and  foliated base with  four  pierced  feet.
            The  lid  is in  two  sections,  the  lower  of which  has
        been cut  from  the  shoulders  of the  original jar. There is  COMMENTARY
        a molded flange of gilt bronze encircling the  lower edge.  This type of decoration  is known  as Chinese Imari.
       The upper  part  is the  original flat top  of the cylindrical  The  Chinese,  realizing  that  Japan  was  enjoying  great
       lid. It is surrounded  by a molding  similar to that  which  success  with  its  exported  porcelain  (typically and pro-
        appears around  the rim of the  lower  stage. The whole is  fusely  decorated with underglaze blue and  overglaze red
       surmounted  by  a  complex  gilt-bronze  finial  of  shells,  and gold), decided to imitate their popular  wares.
       rockwork,  coral,  and  fish  eggs.  This  is  fitted  with  a  The mounts  are not  of the highest  quality. Mounts
       threaded  rod  that  passes  through  a  gilded  plate  in  the  in the form of seaweed are infrequently found, but  a pair
       interior  and  is held  in  position  by  a  nut  of gilt  bronze.  of  lidded  Sevres  bowls  sold  in  Paris  in  1978  bore han-
                                                                                                      1
                                                            dles  similar to  those  that  appear  on these vases.  These
            MARKS                                           lidded bowls reappeared on the market in ijSy. 2  In 1990
            The mounts are struck with the crowned  C in eight  an identically mounted  pair  of black Kangxi lidded jars
       places on each jar: on the finial, on each of the two rims  was  in the hands  of a Paris dealer.
       of  the  lid, on  the  interior  plate,  on  the  lip of the jar, on  A  pair  of  lidded  jars  of  Kangxi  porcelain  of  the
       each handle, and on the foot. The same mounts, with the  same size and shape and with all the mounts  of the same
       exception  of the  foot,  of the  other  jar  are  also  stamped.  model was sold in Paris in  1988. 3












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