Page 30 - 2020 Nov 30 Christie's Hong Kong Important Chiense Works of Art
P. 30

The current lot on display in the drawing room of the Hiram J. Halle Residence in New York, prior to 1961.
                                       Photo credit: Parke-Bernet Galleries, 17 March 1961 catalogue
                                        ទᐽ৅ᙻ      ჺս߿㪀㉑ᙻ )JSBN +  )BMMF ⡥⡙ᄙ㚲໾ᅞԋ

         PROPERTY FROM AN ASIAN FAMILY COLLECTION
         3008

         AN EXCEPTIONAL SANDSTONE HEAD OF                  ߣ   ⊐ඝ⊆⬴ⲭ㦸Ӑ
         A BODHISATTVA
                                                           ϝᬝ
         TANG DYNASTY (AD 618-907)
                                                           %S  'SJFESJDI 1FS[ZOTLJⅧ⻦卻Ƕ7PO $IJOBT (öUUFSO卻ԋஇ㋭
         The face is sensitively carved with gently curving eyes below the   ▵卼Ƿה⩢卼
         graceful arch of the brows, full lips and a double chin to give a   3BMQI .  $IBJU卿⡥⡙
         benevolent expression, framed by the long pendulous ears and the
                                                           )JSBN +  )BMMFⅧ⻦卿⡥⡙⼖༛ᬘ卿    ჺ ᝲ  ᚚ卿ᐽ৅  ⽚
         hair pulled up in a high chignon secured by a headdress. The back
                                                           ⡥⡙⼖༛ᬘ卿    ჺ ᝲ  ᚚ卿ᐽ৅   ⽚
         is uncarved.
         15 in. (38.1 cm.) high, stand
                                                           ൣ⿫
         HK$4,000,000-6,000,000        US$520,000-780,000  Ⴃ‰⎏ᕳ⧻ワ㱦卿㲬㞑⼵႔卿         ჺ
         PROVENANCE                                        ⒬ྐྵ⒢㐏ǯⵐ⻉㬷⏟㱇ᶕ卿㫐㯗㎒㯎卿৶㎒࣡ᇤਹ卿㫐⏖㖔㨳ௗ㇬卿㶂
         Collection of Dr. Friedrich Perzynski (author of Von Chinas   㶌ྉ⋎卿㯔㮱ិӬ㵶㶌卿ዪጔ㧾㙴⯇ஙǯ
         Göttern), who travelled to China between 1912-1913
                                                           ᫉۬㬷༏஋ᷪ卿Ն໶㖅ᓞ㘆ԋࣥ㬷㎼卿ἃݱ௛⏇৿דᘰ⒢㫌㰍ᡟǯᝳᙇ
         Ralph M. Chait, New York
         The Hiram J. Halle Collection, sold at Parke-Bernet Galleries,   ։ᙷջ৿ջ⎏⒢ⵐ⻉㯔۬卿㰍ᡟࣿ㬷⏟⯝ទᐽ৅ᓞ㘆卿ज㏱ᬘ㖅ǯӬ։
         New York 17 March 1961, lot 26                    ⻦⳴⼵இ⛁ᭆᚉໝࢷ⁒㱦卿ⶬ㢙ᙻǶᱡം㚃Ⅷ厍ד۬Ƿ卿झ࢈卿     ჺ卿
         Sold at Sotheby’s New York, 18 September 1996, lot 274  எ     ⽚厎Ӭ։⻦ᰞឦ╜㛌⻱ワ㱦卿ⶬ㢙ᙻǶᱡം㚃Ⅷ厍ד۬⦛Ƿ卿झ
                                                           ࢈卿     ჺ卿எ     ⽚厎Ӭ։⻦⼖㿰ӽ⇧⁞ైࢷ⁒㱦卿ݱ⻦⤔⽚ 3$)
         EXHIBITED
                                                              厎Ӭ։ἃ "SUIVS 8JFTFOCFSHFS ⯠⻦卿     ჺ   ᝲ    ᚚᙻ⡥⡙⼖༛ᬘ
         The Baltimore Museum of Art, Maryland, 1932-1933
                                                           ᐽ㐈卿ᐽ৅     ⽚厎Ӭ։ᴹ⯇⡥⡙ྒྷԋਦᝯ卿     ჺ   ᝲ    ᚚᙻ⡥⡙
         This sandstone head is remarkable for its elegant proportions and   ⼖༛ᬘᐽ㐈卿ᐽ৅     ⽚ǯ
         sensitive carving. The fleshy face, arched eyebrows, slit eyes, full lips
         and hair drawn back into a high chignon are characteristic of stone
         sculptures made during the Tang dynasty. The facial features are
         considerably more Chinese in nature and can be regarded as a more
         mature style which arose during the 7th to 8th centuries.
         Compare a few stone heads of bodhisattvas carved with similar
         features, such as one in the Rijksmuseum voor Volkenkunde, illustrated
         in Hai-Wai Yi-Chen: Chinese Art in Overseas Collections, Buddhist
         Sculpture, Taipei, 1986, no. 116; one in the Los Angeles County
         Museum of Art, illustrated in Hai-Wai Yi-Chen: Chinese Art in Overseas
         Collections, Buddhist Sculpture II, Taipei, 1990, no. 128; and one in
         Museum Rietberg, Zurich (accession no. RCH 131); one from the
         Collection of Arthur Wiesenberger (1896-1970), sold at Sotheby’s New
         York, 11 September 2012, lot 118; and from Yamanaka & Co., New York,
         sold at Sotheby’s New York, 16 September 2015, lot 421.


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