Page 124 - CHRISTIE'S Marchant Nine Decades of Chinese Art 09/14/17
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MARCHANT: NINE DECADES IN CHINESE ART

750  A VERY RARE FAMILLE ROSE
     ‘MAGPIE’ BOWL
                                                                    The delicacy of the enameling style and colors on the
     DAOGUANG SIX-CHARACTER SEAL MARK IN UNDERGLAZE                 present bowl can be related to Yongzheng and Qianlong
     BLUE AND OF THE PERIOD (1821-1850)                             famille rose wares. Compare, for example, a Yongzheng-
                                                                    marked bowl decorated with a related design of magpies
     The bowl is decorated on the exterior with ten black and       with prunus from the Chinese National Collection
     white magpies perched in pairs on branches beside fowering     illustrated by S. Jenyns, Later Chinese Porcelain, London,
     tree peony, with a further magpie on the ground and a twelfth  1951, pl. LI, no. 2, and a Qianlong-marked bowl in the
     magpie in fight.                                               Percival David Collection of Chinese Art, illustrated in
     5¡ in. (13.7 cm.) diam.                                        Oriental Ceramics, The World’s Great Collections, vol. 6,
                                                                    Tokyo, 1982, no. 273.
     $35,000-50,000
                                                                    A Daoguang-marked bowl, decorated with similar delicacy
     PROVENANCE                                                     with a pair of birds perched on rockwork amid fowers
                                                                    including peony and probably prunus, is illustrated by H.
     Sotheby’s Hong Kong, 15 May 1990, lot 251.                     van Oort, Chinese Porcelain of the 19th and 20th centuries, The
     S. Marchant & Son, London, 1991.                               Netherlands, 1977, p. 23, pl. 12. A related Guangxu-marked
     Private collection, Europe.                                    dish with two pairs of magpies and prunus branches in the
                                                                    Kwan Collection is illustrated in Imperial Porcelain of the Late
     LITERATURE                                                     Qing, Hong Kong, 1983, p. 118, no. 118.

     S. Marchant & Son, Exhibition of Nineteenth Century Mark and   清道光 粉彩喜鵲牡丹紋盌 六字篆書款
     Period Porcelain, 1991, p. 51, no. 50.

     The distinctive black and white magpie is an auspicious
     bird, whose name in Chinese, xique, is a pun for happiness,
     xi. Magpies were also regarded as birds of prophecy,
     foretelling the arrival of guests. The birds are frequently
     depicted among prunus blossoms, but the present decoration
     with wutong branches is very unusual. Since the wutong
     tree signifes ‘together’, tong, the combination of magpies
     and wutong can be seen as a wedding motif representing
     ‘happiness together’.

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