Page 30 - Sotheby's London Important Chinese Art Nov. 2019
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           A CARNELIAN AGATE ‘FISHERMAN’ CARVING
           QING DYNASTY, 19TH CENTURY
           carved in openwork and skilfully incorporating the white
           part of the stone, depicting a crouching fisherman netting
           a leaping fish
           Length 6.5 cm, 2½ in.
           £ 800-1,200
           HK$ 7,900-11,800   US$ 1,000-1,500
           清十九世紀   南紅瑪瑙漁公把件

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                                                                      AN OCTAGONAL REALGAR GLASS VASE
                                                                      QIANLONG MARK AND PERIOD
                                                                      the compressed bulbous body with eight facetted sides
                                                                      rising to a long slender neck, supported on a tall foot
                                                                      of conforming shape, the glass of opaque brilliant fiery
                                                                      orange, yellow ochre colour swirled together resembling
                                                                      the realgar mineral, the base with a wheel-cut four-
                                                                      character reign mark within a double square
                                                                      Height 14 cm, 5½ in.
                                                                      In China, realgar is known as xionghuang, but is more
                                                                      commonly referred to as wuguarang (dwarf melon flesh).
                                                                      Zhou Jixu, a late Qing period connoisseur, described it
                                                                      as the first such type to appear in the Palace Workshop
                                                                      with its colouring containing blotches of red and yellow
                                                                      arbitrarily pulled together. See Richard John Lynn,
                                                                      ‘Technical Aspects and Connoisseurship of Snuff
                                                                      Bottles: Late Traditional Chinese Sources’, Journal of
                                                                      the International Chinese Snuff Bottle Society, Summer,
                                                                      1995, p. 8. For further discussion of realgar glass and its
                                                                      possible imperial origins and dating, see Hugh Moss, Victor
                                                                      Graham and Ka Bo Tsang, A Treasury of Chinese Snuff
                                                                      Bottles, The Mary and George Bloch Collection, vol. 5, Hong
                                                                      Kong, 2000, pp. 138-146, where the authors suggest that
                                                                      it was the product of the court from the early 18th century
                                                                      onwards and possibly a courtly prerogative or secret for
                                                                      some decades

                                                                      £ 8,000-12,000
                                                                      HK$ 78,500-118,000   US$ 10,000-15,000
                                                                      清乾隆   仿雄黃料八棱長頸瓶
                                                                      《乾隆年製》款





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                                                                      Mark




           28      Buyers are liable to pay both the hammer price (as estimated above) and the buyer’s premium together with any applicable taxes and Artist’s Resale Right (which will depend on the individual circumstances).
                   Refer to the Buying at Auction and VAT sections at the back of this catalogue for further information.
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