Page 166 - Sotheby's Important Chinese Art, Sept. 21-22, 2-21, NYC
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                A FINE BLUE AND WHITE ‘FLORAL’ VASE       清乾隆   青花纏枝花卉紋鋪首耳尊
                SEAL MARK AND PERIOD OF QIANLONG          《大清乾隆年製》款
                of archaistic form, the ovoid body resting on a high splayed   來源:
                foot and rising to a waisted neck, the shoulder applied with
                a pair of molded elephant-mask handles each suspending   Rolf Heiniger 收藏
                a mock ring, the shoulder and body encircled by a register   馬錢特,倫敦,2001年3月22日
                of lotus scroll and one of composite floral scroll each   展覽:
                bound above and below by a pair of raised fillets, the lower
                body wrapped in a band of crashing waves above a band   《The Rolf Heiniger Collection of Qing Imperial Wares》,
                of lappets at the foot, the neck surrounded by stiff upright   馬錢特,倫敦,2000年,編號8
                leaves beneath a narrow band of waves at the rim, all finely
                painted in brilliant tones of underglaze blue with simulated
                ‘heaping and piling’, the base with a six-character seal mark
                in underglaze blue, wood stand (2)
                Height 10 in., 25.4 cm
                PROVENANCE
                Collection of Rolf Heiniger.
                Marchant, London, 22nd March 2001.
                EXHIBITED
                The Rolf Heiniger Collection of Qing Imperial Wares, S.
                Marchant & Son, London, 2000, cat. no. 8.
                This vase belongs to a distinct group of blue and white wares
                from the Qianlong period that combine motifs adapted from
                early 15th century porcelain with a form inspired by archaic
                bronze ritual vessels. Vases of this form were first produced
                at the imperial kilns in Jingdezhen during the Yongzheng
                reign (r. 1723-1735), but their popularity peaked in the
                Qianlong period (r. 1735-1796).
                Qianlong mark and period vases of this shape and
                design are held in important museums and private
                collections worldwide. The National Palace Museum,
                Taipei, has three vases of this type: one (coll. no. 中-
                瓷-001385-N000000000) is illustrated in Porcelain of
                the National Palace Museum. Blue and White Ware of the
                Ch’ing Dynasty, vol. 2, Hong Kong, 1968, pl. 2, and the other
                two are published on the Museum’s website (coll. nos 中-
                瓷-001555-N000000000 and 中-瓷-001388-N000000000).
                A fourth is in the Palace Museum, Beijing (coll. no. 新
                0095937). Another is in the collection of the Nanjing
                Museum, and published in Xu Huping, Gong ting zhen cang:
                Zhongguo Qingdai guanyao ciqi / Treasures in the Royalty:
                The Official Kiln Porcelain of the Chinese Qing Dynasty,
                Shanghai, 2003, p. 235.
                In recent years, vases of this type have sold at Christie’s
                Hong Kong, 30th May 2017, lot 3201, and 29th November
                2016, lot 3329; one sold in our London rooms, 10th
                November 2010, lot 99; and another in our Hong Kong
                rooms, 8th April 2009, lot 1679.
                $ 100,000-150,000















                162     SOTHEBY’S        COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10748                                                          IMPORTANT CHINESE ART FROM THE COLLECTION OF BRUCE DAYTON AND RUTH STRICKER DAYTON  163
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