Page 179 - Sotheby's Important Chinese Art, Sept. 21-22, 2-21, NYC
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 A ‘LONGQUAN’ CELADON-GLAZED ‘LOTUS’ JAR   A MOLDED ‘SHUFU’ WHITE-GLAZED ‘LOTUS’ DISH
 AND COVER            YUAN DYNASTY
 LATE YUAN / EARLY MING DYNASTY  the shallow sides resting on a short footring, the center
 of compressed baluster form, the body freely carved with   molded with four stylized lotus blooms borne on a
 a stylized lotus scroll issuing furling leaves above a band of   continuous meandering stem within double-line borders, a
 upright lappets encircling the base, the similarly decorated   similar lotus scroll encircling the cavetto with the characters
 cover modeled as an undulating lotus pad with a stem-form   shu and fu, the exterior plain, all under a bluish-white glaze
 knop, all covered with a translucent jade-green glaze pooling   save for the foot left exposed to reveal the fine body
 to a deeper tone in the recesses, the footring burnt orange   Diameter 5½ in., 14 cm
 (2)
 Height overall 11 in., 27.9 cm  PROVENANCE
                      Collection of Mrs. Yale Kneeland.
 PROVENANCE           J.J. Lally & Co., New York, 15th February 2001.
 E & J Frankel Ltd., New York, 24th June 1999.  Shufu wares are identified by the presence of the characters
                      shu and fu (‘Privy Council’) in their designs and were used
 $ 20,000-30,000      during the Yuan dynasty for ceremonies at the Shumi Yuan,
                      a ministry of civil and military affairs. While Shufu-type wares
 元末 / 明初   龍泉窰青釉纏枝蓮紋蓋罐  lacking the characters were exported during this period, the
                      finest examples contained these characters, designating
 來源:                  them for official use. The invention of Shufu ware and its
 E & J Frankel Ltd.,紐約,1999年6月24日  thick white glaze were instrumental in the development of
                      blue and white porcelain.
                      Compare two dishes of similar design: one in the Brooklyn
                      Museum, New York (acc. no. 37.135), the other published in
                      John Ayers, The Seligman Collection of Oriental Art, vol. II,
                      London, 1964, pl. LXVIII.
                                                                                       91
 89                   $ 20,000-30,000
                      元   樞府白釉印花纏枝蓮紋盤

                      來源:
                      Yale Kneeland 夫人收藏
                      藍理捷,紐約,2001年2月15日





 90                   92
 A PAIR OF PIERCED AND CARVED ‘LONGQUAN’   A WHITE-GLAZED BALUSTER JAR
 CELADON-GLAZED GARDEN SEATS   MING DYNASTY, 15TH / 16TH CENTURY
 MING DYNASTY         the narrow base sweeping into high rounded shoulders,
 each of barrel shape, with four rectangular openwork panels   surmounted by a short neck and lipped rim, covered in a
 each enclosing a large bloom and combed leaves, set against   creamy white glaze, the base unglazed
 carved stylized floral scrollwork between rows of raised   Height 12¾ in., 32.4 cm
 florets, the top carved with a floret diaper ground, all under a
 translucent olive-green glaze pooling to a deeper tone in the   PROVENANCE
 recesses (2)         Nicholas Grindley LLC, London.
 Height 14 in., 35.6 cm
                      EXHIBITED
 PROVENANCE           Minneapolis Institute of Art, Minneapolis, 2016 (on loan).
 Christie’s London, 1st September 1999, lot 399.
                      $ 6,000-8,000
 $ 20,000-30,000
                      明十五 / 十六世紀   白釉罐
 明   龍泉窰青釉開光鏤空花卉紋坐墩一對
                      來源:
 來源:                  Nicholas Grindley LLC,倫敦
 倫敦佳士得1999年9月1日,編號399
                      展覽:
                      明尼阿波利斯美術館,明尼阿波利斯,2016年 (借展)

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                                                                                       92



 174  SOTHEBY’S  COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10748  IMPORTANT CHINESE ART FROM THE COLLECTION OF BRUCE DAYTON AND RUTH STRICKER DAYTON  175
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