Page 185 - Sotheby's Important Chinese Art, Sept. 21-22, 2-21, NYC
P. 185

99                   101
 A RARE GOLD OPENWORK ‘LOTUS’ HAIRPIN   A BRONZE OIL LAMP
 SONG DYNASTY         TANG DYNASTY
 the finial cast as a blossoming lotus flower just before full   five leaf-form feet arching to support a wide circular drip
 bloom, the three layers of petals overlapping and with the   pan with an everted rim, a conical post rising from the
 tips of the innermost petals curving toward the center, each   center of the pan and opening into a second pan modeled
 petal rendered with an openwork design, the center of the   as a lotus blossom with naturalistic undulating petals, then
 flower hollow, the post wrapped in a sheet of gold foil worked   extending further to support a small hexalobed oil cup at the
 in repoussé with a stippled pattern imitating the texture of a   pinnacle, in the lower drip pan three jovial lokapala modeled
 lotus stem, Lucite stand (2)  completely in the round each extending one arm up to
 Length 5⅜ in., 13.6 cm  support the central lotus-form pan and swinging their other
                      arm merrily outward, the guardians dressed in tunics and
 PROVENANCE           armor and with their characteristic bulging eyes and high
 Eskenazi Ltd., London, 20th August 1999.  cheekbones
                      Height 4⅞ in., 12.4 cm
 EXHIBITED
                      PROVENANCE
 Chinese and Korean Art from the Collections of Dr. Franco
 Vannotti, Hans Popper and Others, Eskenazi, London, 1989,   J.J. Lally & Co., New York, 4th December 2001.
 cat. no. 62.         $ 15,000-20,000
 For a Song dynasty gold floriform hairpin finial, of similar
 style though cast solid rather than in openwork, see one   唐   銅天王花式五足燈
 excavated in Zhenjiang city, Jiangsu province illustrated in
 Zhenjiang chutu jin yin qi [Gold and Silver wares unearthed   來源:藍理捷,紐約,2001年12月4日
 in Zhenjiang], Beijing, 2012, pl. 109. See also a Song dynasty
 gold repoussé headband, worked and patterned similarly
 to the sheet wrapping the post of the present hairpin, also   102
 excavated in Zhenjiang and published in ibid., pl. 122. For Song   AN ARCHAIC BRONZE VESSEL AND COVER  (DUI)
 dynasty gold jewelry produced with openwork floral designs,   EASTERN ZHOU DYNASTY, WARRING STATES
 see a pair of hairpins and a necklace published in Pierre Uldry,
 Chinesisches Gold Und Silber, Zurich, 1994, pls 289 and 290.  PERIOD                  101
 99
                      the deep sides resting on a short straight foot and set with
 $ 6,000-8,000        a pair of beast-mask handles each suspending a loose ring,
                      surmounted by a domed cover with four dragon-form finials
 宋   金鏤空蓮花釵           that serve as legs when the lid is turned over, decorated
                      overall with bands of stylized interlocking dragon heads
 來源:                  and hooked scrolls reserved against a striated ground, all
 埃斯卡納齊,倫敦,1999年8月20日  bordered by bands of double helix, patinated to a mottled
                      golden brown (2)
 展覽:                  Diameter 9¾ in., 24.7 cm
 《Chinese and Korean Art from the Collections of Dr.
 Franco Vannotti, Hans Popper and Others》,埃斯卡納  PROVENANCE
 齊,倫敦,1989年,編號62      J.J. Lally & Co., New York, 20th February 1999.
                      EXHIBITED
 100                  Ancient China: Jades, Bronzes & Ceramics, J.J. Lally & Co.,
                      New York, 1999, cat. no. 30.
 A SMALL BEIGE JADE DISC   Compare a vessel of similar form inlaid with silver and
 WARRING STATES PERIOD - HAN DYNASTY   turquoise and decorated with confronting bird motifs,
 of circular section centered with an aperture, each side   included in the exhibition Chinese Art of the Warring States
 carved with a ground of raised spirals, the inner and outer   Period: Change and Continuity, 480-222 B.C., Freer Gallery
 edges with a raised rim, the translucent stone a greenish-  of Art, Washington D.C., 1982, cat. no. 9, where a related
 beige tone with fine russet veining, stand (2)  silver-inlaid bronze vessel, excavated in 1965 from Tomb 2
 Diameter 1¾ in., 4.5 cm  at Wang Shan, Hubei province, is discussed. Another vessel
                      with confronting birds is illustrated in Jenny So, Eastern
 PROVENANCE           Zhou Ritual Bronzes from the Arthur M. Sackler Collections,
                      Washington, D.C., 1995, pl. 85. See also a dui with splayed
 Bernstein & Co., San Francisco, 13th February 1999.
                      feet and set with pair of loop handles on the cover and bowl,
                      formerly in the J. T. Tai & Co. Collection and sold in these
 LITERATURE           rooms, 22nd March 2011, lot 185.
 Private Passions: Connoisseurship in Collecting Chinese Art,
 S. Bernstein & Co., San Francisco, 1998, pl. 5.  The engraved motifs on the present vessel bear strong
                      similarities to contemporaneous lacquerware designs. For
 $ 5,000-7,000        example, compare the bird and dragon scroll found on the
                      side of a lacquered se excavated from Tomb no. 1 of Marquis
 100                  Yi of Zeng in Suizhou, Hubei, now preserved in the Hubei
 戰國至漢   玉穀紋環          Provincial Museum, Wuhan.
                                                                                        102
 來源:                  $ 10,000-15,000
 Bernstein & Co.,舊金山,1999年2月13日
                      東周  戰國   銅龍紋敦
 出版:
 《Private Passions: Connoisseurship in Collecting Chinese   來源:藍理捷,紐約,1999年2月20日
 Art》,S. Bernstein & Co.,舊金山,1998,圖版5
                      展覽:《Ancient China: Jades, Bronzes & Ceramics》,
                      藍理捷,紐約,1999年,編號30
 180  SOTHEBY’S  COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10748  IMPORTANT CHINESE ART FROM THE COLLECTION OF BRUCE DAYTON AND RUTH STRICKER DAYTON  181
   180   181   182   183   184   185   186   187   188   189   190