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120                 122
 A BAMBOO ‘SEVEN SCHOLARS OF THE BAMBOO   AN EMBELLISHED ‘HUANGHUALI’ BOX AND   twice in our Hong Kong rooms: 19th November 1984, lot
 GROVE’ PARFUMIER    COVER                                     99, and 8th April 2011, lot 3311. The carving quality and
 QING DYNASTY        QING DYNASTY, 17TH / 18TH CENTURY         compositional style is also comparable to an inlaid zitan table
                                                               screen, brushpot, and box and cover attributed to the early
 of tall cylindrical form, pierced with two openwork vignettes,   of rectangular form, the cover inlaid with a gnarled prunus   and mid-Qing dynasty from the Qing Court Collection, now
 one with five scholars conversing and drinking tea, the other   branch sprouting from a rock and bamboo outcrop in the   in the Palace Museum, Beijing, published in The Complete
 depicting two scholars seated at a table enjoying the qin with   upper left corner and sprawling across the composition,   Collection of Treasures of the Palace Museum: Bamboo,
 an attendant nearby, all within a secluded bamboo grove   the branch comprised of stained wood and issuing mother-  Wood, Ivory and Rhinoceros Horn Carvings, Hong Kong,
 surrounded by craggy rockwork and swirling cloud wisps, the   of-pearl blossoms and carnelian buds, the bamboo with   2002, pls 229, 238, and 240, respectively. See also a related
 surface patinated to a warm caramel tone  mother-of-pearl stalks bearing bone leaves, all above various   inlaid huanghuali ‘prunus’ brushpot attributed to the Kangxi
 Height 9 in., 22.9 cm  hardstone ‘boulders’ scattered along the ground and a   period sold at Christie’s Hong Kong, 27th November 2005,
                     soapstone lingzhi in the lower corner, mother-of-pearl and   lot 1485. For a Ming dynasty precursor to the present box,
 PROVENANCE          hardstone butterflies soaring above, the inner tray and box   see one by Sun Kehong (1533-1611) inlaid with a flowering
 Sydney L. Moss Ltd., London.  unadorned (3)                   prunus tree and a poem, published in Elegantly Made: Art for
                     Height 4 in., 10.2 cm; Width 10⅝ in., 27 cm; Depth 6½ in.,   the Chinese Literati, J.J. Lally & Co., New York, March 2020,
 $ 4,000-6,000       16.5 cm                                   cat. no. 7.

                     PROVENANCE                                ◉  $ 40,000-60,000
 清   竹雕鏤空竹林七賢圖香筒
                     J.J. Lally & Co., New York, 22nd September 1994.
 來源:                 Zitan and huanghuali scholar’s objects embellished with   清十七 / 十八世紀   黃花梨嵌寶花蝶圖蓋盒
 Sydney L. Moss Ltd.,倫敦  mother-of-pearl and hardstone motifs came into vogue in
                     the late Ming dynasty and continued to enjoy popularity in   來源:
                     the subsequent Qing period. The present box has a nearly   藍理捷,紐約,1994年9月22日
                     identical composition, and the same three-dimensional
                     carving to the prunus blossoms, as a box attributed to the
                     18th century formerly in collection of Dr. Ip Yee, and sold
 120







 121

 A RECTANGULAR ‘ZITAN’ STAND
 QING DYNASTY, 18TH CENTURY
 the rectangular top a single floating panel set within a frame
 of standard mortise and tenon construction over a recessed
 waist and convex beaded-edge plain apron, all raised on four
 square-sectioned incurved legs terminating in inward-facing
 hoof feet
 Height 4 in., 10 cm; Width 13⅝ in., 34.7 cm; Depth 8⅛ in.,
 20.7 cm
 PROVENANCE
 121  Grace Wu Bruce, Hong Kong.

 $ 5,000-7,000

 清十八世紀   紫檀有束腰鼓腿長方形座
 來源:
 嘉木堂,香港











 196  SOTHEBY’S  COMPLETE CATALOGUING AVAILABLE AT SOTHEBYS.COM/N10748  IMPORTANT CHINESE ART FROM THE COLLECTION OF BRUCE DAYTON AND RUTH STRICKER DAYTON  197
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