Page 36 - 2019 September 11th Bonhams Lewis Collection Japanese and Korean Art NYC
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542
           KANO TESSAI (1845-1925)
           A panel with three miniature masks
           Taisho era (1912-1926), dated 1924
           The sugi panel mounted with three carved, gold-lacquered, and
           painted miniature copies of early masks preserved in shrines
           and other buildings in Nara, extensively inscribed as follows:
           top, Koshu kokuho gigakumen sanjuikko no ichi (An A-grade national
           treasure gigaku mask, one of 31); center, Shosoin gyobutsu doji-
           men (Mask of a boy attendant, an imperial treasure of the Shosoin
           Repository); lower right, Himuro Jinja homotsu Taisho kinoe-ne
           toshi shigatsu kasshi no hi Nanto Koyodai Saishoseisha Maka-an
           Tessai shiki (A treasure of the Himuro Shrine, recorded by Tessai of
           the Maha Retreat at the Studio of Supreme Precision on the Maple
           Foliage Terrace in the Southern Capital [Nara] on a kasshi day in April
           1924), with a square red seal and Tessai’s idiosyncratic kao (cursive
           monogram)
           $8,000-10,000

           Born in Gifu, Kano Tessai studied painting and sculpture under his
           father (a netsuke carver) and after moving up to Tokyo in 1872 rose
           to fame when he was commissioned to make a stationery set for
           Okubo Toshimichi, one of the leaders of the Meiji Restoration; he also
           enjoyed the support of Sano Jomin (Tsunetami), an influential figure
           in the early-Meiji art world. In 1882 he relocated to Nara—Japan’s
           capital from 710 to 794—and embarked on a project to study and
           copy early masterpieces of Japanese art; many of the fruits of that
           projects are included in the Lewis Collection. Tessai is even said to
           have helped Ernest Fenollosa and Okakura Tenshin with their surveys
           of classic temple art in Kyoto and Nara, but he otherwise tried to
           avoid too much involvement in public life and devoted only a short
           time to teaching at Tokyo Bijutsu Gakko (Tokyo Art School) in 1888-
           9. Tessai first used the studio name Saishoseisha, as on the present
           lot, in winter of 1919, see Gifu-shi Rekishi Hakubutsukan (Gifu City
           Museum of History), Kano Tessai: Shirarezaru meiko (Kano Tessai: An
           Undiscovered Master), exhibition catalogue, June 6–July 27, 2003,
           Gifu City: Chūnichi Shinbunsha, 2003, p.14.
























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