Page 202 - Fine Japanese Art March 27, 2020 Galerie Zacke Netsuke and Okimono
P. 202

RARE MATERIALS, SEALS & LACQUER NETSUKE

                                                                  225 |  A SUPERB HIRADO PORCELAIN
                                                                        NETSUKE OF A NASUBI (EGGPLANT)
 223 |  TEIJI (ATTR.): A RARE CERAMIC    224 |  MIURA KEN’YA: A VERY RARE CERAMIC   Unsigned
 NETSUKE OF TAKOTSUBO  NETSUKE OF A BAKEMONO BOX                  Japan, Hirado, mid-19th century, Edo period (1615-1868)

 Attributed to Teiji, unsigned  By Miura Ken‘ya (1825 – 1889), signed Kenzan  Published: Atchley, Virginia / Davey, Neil (2006) The Virginia Atchley
 Japan, Nagoya, mid-19th century, Edo period (1615-1868)  Japan, second half of 19th century  Collection of Japanese Miniature Arts, p. 177, no. N249.
                                                                  Journal of the International Netsuke Collectors Society, Vol. 3, no. 2,
                                                                  September 1975, p. 19, fig.20.
 A fine and rare ceramic netsuke, coated in a layer of thin red   A rare glazed ceramic netsuke depicting a wicker basket   Exhibited: Honolulu, 1975.
 lacquer, and depicting an octopus trapped inside a pot, also   containing a group of bakemono bursting through various torn
 known as takotsubo. The inlaid grimacing octopus has emerged   holes. This includes a long-necked cycloptic creature, a ghost
 from the trap, bursting through the pot, two tentacles pressed   with eerily long arms and a karasu tengu. One interesting detail   The nasubi (eggplant) is covered in a sublime, beautifully polished
 against the side of the pot, in an effort to escape. The ceramic   is the green-glazed rope which turns out to be a snake coiling   white hirado-glaze, with two crumpled leaves in hirado-blue and
 inlay is a creamy white with fine craquelure. Another inlaid   around the arm of the ghost. The underside with himotoshi and   the calyx in a coarse grey biscuit glaze. Very good, asymmetrical
 tentacle is shown emerging from the mouth of the pot, and fine   signature KENZAN 乾, however most likely by Miura Ken’ya who   himotoshi to the reverse.
 barnacles are inlaid on the sides of the tsubo. A section of the   was known to sign Kenzan at times.
 red lacquer has been purposely removed and glazed green,         HEIGHT 5.5 cm
 showing fine craquelure, to imitate the oxidation of the metal   HEIGHT 3.8 cm, LENGTH 3.4 cm
 tsubo. One central himotoshi and the other ‘natural’ through the   Condition: Excellent condition, one tiny firing fault near the base.
 opening of the pot.  Condition: Excellent condition with minor wear to glaze.  Provenance: Collection Virginia Atchley purchased from Douglas J.K.
 Provenance: New York private collection.                         Wright, then collection John and Donnie Hawley.
 HEIGHT 3.6 cm
 Literature comparison: Compare to two ‘goblin boxes’ in          Probably one of the finest porcelain netsuke ever recorded,
 Condition: Excellent condition with minor wear to lacquer coating.  Sagemonoya (2004) Ninety-nine Netsuke & One Inro, p. 35, nos.   beloved by the late Virginia Atchley.
 Provenance: French private collection.  47-48.
                                                                  Estimate EUR 3.000,-
 The takotsubo is an old Japanese design used to catch octopi.   Estimate EUR 2.000,-  Starting price EUR 1.500,-
 Teiji, pupil of Seiji, was originally a potter and made unique   Starting price EUR 1.000,-
 netsuke with ceramic inlays. It is evident from the quality of the
 ceramic inlay in this netsuke that only a highly trained ceramicist
 could achieve this, and Teiji was known to execute this design.
 Estimate EUR 2.000,-
 Starting price EUR 1.000,-








































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