Page 61 - Fine Japanese Art March 27, 2020 Galerie Zacke Netsuke and Okimono
P. 61

53 |   TOMOTADA: A POWERFUL IVORY
                                                                                                                                                                                                    NETSUKE OF A RECUMBENT OX
                                                                                                                                                                                               Signed Tomotada
                                                                                                                                                                                               Japan, Kyoto, 18th century, Edo period (1615-1868)


                                                                                                                                                                                               The bulky ox is resting on its four legs and has a naturalistic and
                                                                                                                                                                                               powerful expression, typical for Kyoto-works of oxen by the great
                                                                                                                                                                                               18th century master Tomotada. The eyes are inlaid with black horn,
                                                                                                                                                                                               the hairwork is very fine and the rope that passes through the ring
                                                                                                                                                                                               around the nose is minutely carved and reaches around to its back.
                                                                                                                                                                                               The ivory has a very good color and fine patina, especially to the
                                                                                                                                                                                               underside which is masterfully carved. Note the expressive skin
                                                                                                                                                                                               fold of the neck, which adds a special touch to the composition.
                                                                                                                                                                                               The himotoshi on the underside are irregular and well hollowed
                                                                                                                                                                                               out, exactly as they should be. The signature TOMOTADA 友忠 can
                                                                                                                                                                                               be found in-between the himotoshi in the characteristic square
                                                                                                                                                                                               reserve, and just like the rest of the composition, is coherent.
                                                                                                                                                                                               LENGTH 6.5 cm

                                                                                                                                                                                               Condition: Very good condition; age cracks as expected and
                                                                                                                                                                                               consistent with the age.
                                                                                                                                                                                               Provenance: Collection of Sam Felton with CITES permit no.
                                                                                                                                                                                               18US59513C/9. Purchased from Bernard Hurtig in 1976 (old invoice
                                                                                                                                                                                               available).
                                                                                                                                                                                               Auction comparison: For a similar ox by Tomotada see Sotheby’s,
                                                                                                                                                                                               Japanese and Korean Works of Art, London, 14 July 2005, lot 1073.
                                                                                                                                                                                               For another ox by Tomotada, in different style, but with the same
                                                                                                                                                                                               color and similar skin fold on the neck see the Julius and Arlette
                                                                                                                                                                                               Katchen Sale of Fine Netsuke Part II, London, 10 May 2017, lot 53.
                                                                                                                                                                                               Estimate EUR 3.000,-
                                                                                                                                                                                               Starting price EUR 1.500,-
                                                                                                                           52 |   TOMOTADA: AN
                                                                                                                                IVORY NETSUKE OF
                                                                                                                                A RECUMBENT OX
                                                                                                                           Signed Tomotada
                                                                                                                           Japan, Kyoto, 18th century, Edo period
                                                                                                                           (1615-1868)

                                                                                                                           A vividly crafted representation of a
                                                                                                                           recumbent ox, the rope halter passing
                                                                                                                           through the nose and over the back, and the
                                                                                                                           finely carved tail swinging around over to the
                                                                                                                           animal’s side. The expression is naturalistic,
                                                                                                                           enhanced by inlaid pupils of black lustrous
                                                                                                                           horn. The underside is especially attractive
                                                                                                                           with a glistening honey-orange patina and
                                                                                                                           the neatly carved legs tucked underneath
                                                                                                                           its body. Asymmetrical, deep himotoshi
                                                                                                                           and signature in a rectangular reserve
                                                                                                                           TOMOTADA 友忠. The leg which houses the
                                                                                                                           himotoshi is carved very much in the manner
                                                                                                                           of Masanao of Kyoto.
                                                                                                                           LENGTH 6.5 cm
                                                                                                                           Condition: Age cracks, minor surface wear
                                                                                                                           – stunning patina. The right ear with a small
                                                                                                                           chip.
                                                                                                                           Provenance: French private collection.
                                                                                                                           Estimate EUR 3.000,-
                                                                                                                           Starting price EUR 1.500,-



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