Page 105 - A Re-examination of Late Qing Dynasty Porcelain, 1850-1920 THESIS
P. 105

imperial motif.  The blue underglaze flowers form a border along the exterior below a

                   double band detail.  Each flower is rather angular and does not demonstrate any of the


                   soft, graceful touches associated with Cixi’s floral dayazhai wares.  This vessel also has a

                   mark on the base that dates to Xuantong, specifically the year 1910.  Along with this


                   information, the mark also reads Yichun tang zhi 宜春堂製 (Made for the hall of


                   appropriate spring).  This information references the name of a specific studio belonging

                   to Liu Shiheng 刘世珩 (1875–1937).     113   While this mark indicates that Liu Shiheng


                   rather than Xuantong himself commissioned the dish, this study notes stylistic elements


                   that had declined by analyzing this dish.  The dish itself is thickly potted, lacking the

                   refinement found in earlier pieces patronized by Cixi.  Along with this factor, the

                   underglaze is not applied in a painterly manner, resulting in areas becoming blurred


                   during the firing process.  Overall, the dish emphasizes the general decline that most

                   scholars note during the late Qing reign.


                          Academic categorizations of the reign of Xuantong being a point of porcelain

                   decline are corroborated by this study.  It is clear from these pieces of porcelain that


                   officials of this reign spent very little time producing vessels, resulting in a very small

                   grouping of known objects.  Along with the limited quantity, the known porcelain


                   displays a lack of the artistry, skilled potting, and refinement associated with imperial

                   porcelain.  However, scholars have not considered alternative patrons of the arts that


                   existed contemporaneously with Puyi.  This study proposes that imperial-caliber


                   113  Ming Wilson, Rare Marks on Chinese Ceramics (London: Percival David Foundation, 1998),
                   150.  Liu Shiheng, also known as Juqing, was from Anhui.  Records indicate he widely collected
                   antiques.  He placed two orders for porcelain during the late Qing, one in 1909 and the other in
                   1910.  These orders indicate that although the imperial Qing was falling, Liu was not
                   experiencing severe financial ramifications as a result of the political upheaval.

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