Page 148 - A Re-examination of Late Qing Dynasty Porcelain, 1850-1920 THESIS
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collecting porcelain that emphasized ideal aesthetics and exhibited imperial taste.

                   Records of later collectors emphasize this transition, focusing primarily on acquiring


                   “imperial”-quality porcelain.  For example, Chen Liu 陳瀏, a retired official and


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                   porcelain collector of the 19  century, had a significant preference for Qing porcelain
                   over the porcelain of the Ming dynasty, especially pieces produced during the reign of


                   Kangxi (1662–1722).  As a collector, Chen specifically noted an admiration for vigorous

                   colors and soft pastel palettes and strove to obtain wares exhibiting good technical


                   potting and high levels of craftsmanship. 184   Wares such as a bowl decorated with famille

                   rose enamels with a peach and bat motif fits this collector’s unique preferences (Figure


                   47).  The bowl dates to the reign of Qing Emperor Yongzheng (1722–1735) and is

                   comprised of beautiful white porcelain enameled with the five peaches of longevity on a


                   branch.  The peaches exhibit immense painting skill, giving them natural color and

                   texture.  Incorporated into the peach branch are five red bats, each of which is a

                   representation of happiness.  This vessel demonstrates one collector’s preferences within


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                   China during the 19  century.  Chen also explained the dislikes of the Chinese collector
                   during this era, stating, “he regrets the extraordinary virtuosity which resulted in


                   insensitive, repetitive decoration and hard dry colours.” 185   Based on visual evidence this

                   study finds that the wares Chen describes in a negative context are the style of wares that


                   were typically sold in Europe during the 19  century.  The era in which Chen lived had
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                   an increasing amount of international porcelain movement, resulting from the historic

                   shifts occurring during the late Qing.  The traditional preferences exhibited by Chen



                   184  Huang, “China’s China: Jingdezhen Porcelain and the Production of Art in the Nineteenth
                   Century,” 196.
                   185  Michel Beurdeley, The Chinese Collector Through the Centuries: From the Han to the 20th
                   Century (Rutland, Vermont: C. E. Tuttle Company, 1966), 193.
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