Page 17 - A Re-examination of Late Qing Dynasty Porcelain, 1850-1920 THESIS

Figure Page

52. Pair of jars and covers, 1645-1650. Porcelain painted in underglaze blue. H: 41 cm.

Collection of Mary II (1662-1694), King’s First Presence Chamber, Hampton Court

Palace, Royal Collection Trust, London (RCIN 1192) ..............................................256

53. James Digman Wingfield (1800-1872), The King’s Bedchamber at Hampton Court

Palace, 1849. Painting, oil on canvas. Royal Collection Trust, London (3006146)

....................................................................................................................................257

54. Unloading the Kiln, c.1770-1790. Watercolor and ink on paper, part of a set of 24

watercolors, from Guangzhou, China. H: 40 cm. W: 60 cm. Victoria and Albert

Museum, London (E.54-1910) ...................................................................................258

55. Dish, c. 1704. Delft, Netherlands, tin-glazed earthenware. D: 9 in. (22.9 cm.) Harris

Brisbane Dick Fund, 1938, Metropolitan Museum of Art, New York (38.165.18) ..259

56. Plate, c.1725. Meissen, German porcelain, underglaze painted porcelain. D: 25.8

cm. British Museum, London (1941,0710.1) ............................................................260

57. Spode Ceramic in “Willow Pattern,” made in Stoke-on-Trent, 1800-1820.

Earthenware with transfer-print in underglaze blue. D: 22.86 cm. Victoria and Albert

Museum, London (C.847-1925) ................................................................................261

58. George du Maurier (1834-1896), Chinamania Made Useful at Last!, 1879. Cartoon

published in British magazine, Punch. Archives of Freer and Sackler Galleries,

Smithsonian Institution, Washington D.C. (1879-12.12) ..........................................262

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