Page 213 - A Re-examination of Late Qing Dynasty Porcelain, 1850-1920 THESIS
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producing an asymmetrical layout.  The bird painted resembles a Chinese bulbul


                   (baitouweng 白頭翁), known for a distinct white patch of feathers on their head.  The

                   inclusion of only one bulbul allows the bird to become a symbol of longevity.  The peach


                   blossom is a symbol of spring and forms a connection to the traditional Chinese poem

                   “Peach Blossom Spring.” 277   The final symbol on the dish is a rose, representing the


                   flower of eternal spring due to the duration of its bloom.  Each symbol included within

                   the composition formed a representation of longevity, thus establishing a close


                   connection to Cixi who frequently surrounded herself with auspicious emblems with

                   similar meaning.  While the pattern itself is closely related to what was seen on the earlier


                   dayazhai wares, the artistic application of each brushstroke is a clear indicator of the skill

                   behind this plate’s decoration.  Looking at the flower petals and leaves a gradient effect is


                   visible, creating a style similar to that of the earlier Qing famille rose styles.  A close

                   examination of the bird’s body reveals delicate brushstrokes that create the effect of

                   intricate feathers across the form.  This soft touch is again reminiscent of earlier


                   aesthetics cultivated by Cixi, stylistically connecting the imagery back to her.



                          The second dish completed in a similar eggshell porcelain style as the previous

                   example.  Along with this similarity the dish also utilizes the famille rose enamels and


                   dates to the same era, 1875–1900 (Figure 81).  In this example, a bird-and-flower style is

                   again achieved.  In this instance, the bird and flowers are of a different variety, providing



                   277  The poem was written by Tao Yuanming c. 421 CE.  The tale follows the experience of a
                   fisherman who travels through a forest filled with peach blossoms, eventually stumbling upon a
                   hidden grotto opening.  After entering the grotto, the fisherman emerges into an idyllic utopian
                   society.  When the fisherman leaves he is warned to never reveal the location of the Peach
                   Blossom Spring.  The fisherman attempts to mark his path and inform others of the Peach
                   Blossom Spring; however, he is never able to uncover the route again.


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