Page 85 - A Re-examination of Late Qing Dynasty Porcelain, 1850-1920 THESIS
P. 85

Having evaluated all the seasonal dayazhai motifs, it is critical to consider that the

                   design was placed on a variety of porcelain forms, including bowls, dishes, covered


                   boxes, large bowls, jardinières, narcissus trays, etc.  Of this list of known forms bearing

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                   the standard dayazhai seasonal motifs, the most rare form is the narcissus tray.   The

                   form of this vessel was quite different, presenting viewers with a shallow open vessel

                   resting on small feet. Typically, the pattern of a narcissus tray is always consistent, often


                   accompanied by a bird or insect.  However, the form of the tray itself, along with the

                   color palette, is always subject to some slight variation.  The narcissus was one of Cixi’s


                   favorite flowers and can frequently be seen on both the porcelain she commissioned and

                   her personal garments.  A Narcissus bowl with dayazhai marks from the National Palace


                   Museum, Taipei, illustrates how varied this form could be within the scope of Cixi’s

                   porcelain (Figure 20).  This example has a deep blue ground along with a delicate bird-

                   and-flower motif spreading over a five-lobed form.  The narcissus tray is one of the most


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                   copied wares from her reign.  The style was widely copied during the 20  century,
                   standing as a testament to the aesthetic style Cixi created during her reign.  However,


                   there is a drastic difference in the quality of the original narcissus tray commissioned by

                   Cixi and the later copies that is visible even to an untrained viewer.  Specifically, the


                   major delineating factor between the narcissus trays produced in these two eras is the

                   quality of the painting on the porcelain.  The painting should be reminiscent of the


                   images that were originally ordered and possess the same precisely painted imagery.

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                   Copies dating to the 20  century do not suggest the same painting technique as the


                   88  The narcissus appears to be one of Cixi’s favorite flowers, with images of it being found on
                   other items belonging to the empress like embroidered clothing.  This form is extremely rare with
                   less than ten known examples presently known.


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