Page 26 - Blum Feinstein Tanka collection HIMALAYAN Art Bonhams March 20 2024
P. 26

708
           A THANGKA OF SHAKYAMUNI BUDDHA
           EASTERN TIBET, 18TH CENTURY
           Distemper and gold on cloth; with original silk brocade mounts and silk veil; recto
           inscribed in gold Tibetan identifying each figure and a lengthy dedication to the
           central Buddha inscribed immediately below him as follows:

           གང་གི་རིང་ནས་བདུད་སྡེ་དམ་བཅོམ་ཀྱང་།
           རྡོ་རྗེ་གདན་ཞེས་རབ་གྲགས་འཛིན་མིའི་བཞི།
           སླར་ཡང་ལུས་མེད་དཔུང་བཅས་བྱམས་བརྩེ་ཡིས།
           ཕམ་མཛད་ཟས་གཙང་སྲས་ཁྱོད་འགྲོ་འདིའི་གཉེན།

           Translated:
           “He who subdued the troops of devils eons ago,
           Completing the four contemplations at the renowned Vajrasana,
           Again defeated those formless maras with compassion,
           You, the son of Shudhodhana, are the companion of all living creatures.”

           Himalayan Art Resources item no. 1865
           Image: 28 x 20 in. (71.1 x 25.8 cm);
           With Silks: 54 1/4 x 30 1/2 in. (137.8 x 77.5 cm)

           $40,000 - 60,000

           藏東 十八世紀 釋迦牟尼唐卡

           This beautiful painting of the Buddha Shakyamuni reenacts the legendary moment
           of his enlightenment at Bodh Gaya, India. Holding a lapis-blue alms bowl, he
           extends his right hand forward in bhumisparsha mudra to call upon the earth to
           witness his awakening. The earth, in response, provides him a lavish, golden throne
           studded with gems. Attending to his comforts within this lush abode of pink and
           white Chinese peonies is the guardian Vaishravana, pairs of bodhisattvas, winding
           dragons, lions in supplication, together with Shakyamuni’s two primary disciples,
           Shariputra and Maudgalyayana. Surmounting the throne is the Mahasiddha Virupa,
           who shares the company of two mahasiddhas resting on a bed of clouds with
           comb-like streaks.

           This painting follows primarily in the painting traditions of Central Tibet, as
           demonstrated by the dense arrangement of the leaves and the stylized treatment of
           the lions’ snouts. These traits also appear on other Buddha thangkas from the 18th
           century, including one in the Palace Museum, Beijing (HAR 34756), and another
           sold in Bonhams, Hong Kong, 30 November 2022, lot 1019. Also compare the
           lotus petals and throne design to a red and gold ground Buddha thangka in the
           Rubin Museum of Art, New York (P1996.19.13; HAR 309).

                                                                        (Thangka in full)














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