Page 79 - Ming Porcelain Sothebys march 2018
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Fig. 1  A white ewer, Ming Dynasty, early   Figs. 2-4  A blue and white ewer, Xuande
                                                                       Yongle period. Jingdezhen Archeology   mark and period. Jingdezhen Archeology
                                                                       Insitute, Jingdezhen       Insitute, Jingdezhen
                                                                       © Jingdezhen Archaelogy Institute  © Jingdezhen Archaelogy Institute

                                                                       ྡɓ ׼͑ᆀڋ ͣཊੂడ ౻ᅃᕄௗନ         ྡɚЇ̬ ׼܁ᅃ ڡڀᚂ،ڀ̓७ੂడ
                                                                       Ͻ̚޼Ӻה ౻ᅃᕄ                  ౻ᅃᕄௗନϽ̚޼Ӻה ౻ᅃᕄ
                                                                       © ౻ᅃᕄௗନϽ̚޼Ӻה               ɽ׼܁ᅃϋႡ‘ಛ
                                                                                                  © ౻ᅃᕄௗନϽ̚޼Ӻה
































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              2                                                                      4




              Chinese Porcelain Collections in the Near East: Topkapi and Ardebil, Hong
              Kong, 1981, vol. III, p. 160, no. A.82; for an example from the Ottoman royal   ˮಃᘒᔛϗᔛᅰԷd༱׵ߒጫsԭዝʆɽs
              collection in Turkey see Regina Krahl, Chinese Ceramics in the Topkapi Saray   ت౷dChinese  Porcelains  from  the
              Museum, Istanbul, ed. John Ayers, London, 1986, vol. 2, no. 622.       Ardebil  Shrine‘dശସ཭d1956ϋ€ࡌࠈ
                                                                                     وdࡐ౱1981ϋdྡو54ʿ55iɧӄඤ
              Yongle blue-and-white ewers of both versions in the National Palace Museum   ઽdʕڐ؇ʘʕ਷ନኜ‘d࠰ಥd1981
              were included in the Museum’s exhibition Shi yu xin: Mingdai Yongle huangdi   ϋd՜3dࠫ160dᇜ໮A 82iΎˢɓԷd̈
              de ciqi/Pleasingly Pure and Lustrous: Porcelains from the Yongle Reign   ІɺЀՉෳ౶ਟˮ਷ެ܃ՊᔛdԈੰጶёd
                                                                                     Chinese  Ceramics  in  the  Topkapi  Saray
              (1403-1424) of the Ming Dynasty, Taipei, 2017, catalogue pp. 114-115; further
                                                                                     Museum‘dͺ౶վ̺ဧdJohn  Ayers  ᇜd
              examples from the Qing court collection are also preserved in the Palace
                                                                                     ࡐ౱d1986ϋd՜2dᇜ໮622f
              Museum, Beijing, see Geng Baochang, ed., Gugong Bowuyuan cang Ming
              chu qinghua ci [Early Ming blue-and-white porcelain in the Palace Museum],   ݂ࢗ௹ي৫ϗᔛ຅ʕd͵ԈՇό͑ᆀڡڀੂడ
              Beijing, 2002, vol. 1, pls 37, 38 and 92.                              Էd࢝ቇ׵ː{׼˾͑ᆀެ܎ٙନኜ‘d̨
                                                                                     ̏d2017ϋdᇜ໮114 115i̤̙ˢᅰԷd૶
              While all other extant porcelain examples are unmarked, Geng attributes   ࢗᔚᔛdତπ׵̏ԯ݂ࢗ௹ي৫dঅᘒ׹ᇜd
              those ewers that are closer to the metal prototype to the Yongle reign, and   ݂ࢗ௹ي৫ᔛ׼ڋڡڀନ‘d̏ԯd2002
              the version, which is similar in shape to the present piece, to the Xuande   ϋdɪ̅dྡو37e38ʿ92f
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