Page 94 - SOtheby's Hong Kong Fine Chinese Art May 2018
P. 94

Masterfully carved from the treasured and rare zitan wood, the   The present table is notable for the ‘rope-twist’ stretchers, a
           generous size of this elegant table suggests it was made for   style that was developed during the Qianlong reign and often
           the emperor’s personal use. Zitan, a member of the rosewood   inset with jade or cloisonné panels; see a zitan table carved
           family, was a rare commodity during the eighteenth century   with a similar twisted rope and bi-disc designs, in the Palace
           due to its small size and slow pace of growth. For a discussion   Museum, Beijing, published in A Treasury of Ming and Qing
           of zitan and its types, see Tian Jai Qing, ‘Zitan and Zitan   Dynasty Palace Furniture from the Palace Museum Collection,
           Furniture’, Orientations, December 1994, pp 43-49.  vol. 1, Beijing, 2007, pl. 203, together with a black-lacquered
                                                     kang table, decorated with circular cloisonné plaques, pl. 271;
           Long zitan tables are extremely rare, and only a small number
                                                     and a pair of hardwood tables inset with jade and cloisonné
           of this size have been sold at auction; see one, from the
                                                     plaques, sold at Christie’s Hong Kong, 1st June 2011, lot 3607.
           collections of Robert H. Ellsworth and John Alex McCone, sold
           in our New York rooms, 26th November 1991, lot 499, and   Tables of this type were often made in pairs or sets of four to
           offered again, 23rd March 2011, lot 674; and a slightly smaller   allow for a symmetrical placement within a large hall, a formal
           version also sold in our New York rooms, 20th March 2002,   arrangement particularly fashionable during the Qing dynasty.
           lot 320.                                  They were also placed in bedrooms next to the large canopied
                                                     bed to provide a platform to lean on, as writing and painting
                                                     surfaces in a studio, or in private chambers where they were
                                                     used for private and informal meals.





















































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