Page 133 - 2019 September 10th Sotheby's Important Chinese Art Jades, Met Museum Irving Collection NYC
P. 133

59     A ‘HUANGHUASHI’ LIMESTONE
                   CARVING OF A SEATED
                   BUDDHA
          昳 湫
          军 剙      SUI - TANG DYNASTY
          Ⓒġġġ 䞛
              晽    positioned in dhyanasana on a lotus blossom supported by a   Ը๕
              ἃ    stepped circular base, dressed in a thin robe clinging to the body   ッ渿䴚ɀ漸侸炻䲸䲬炻IJĺĹij⸜IJIJ㚰ĺ㖍
              ⛸    and laying in even folds over the chest, arms, and legs, the hem   ἃ伭ΐ㕗ġĩIJĺijıĮijıIJĹĪġ⍲崓ỗ䈡ġĩIJĺIJĸĮijıIJķĪɀ㫸暚ằ
              ⁷    draping over the edge of the pedestal, the left hand resting on   ⃟㓞啷炻䶐嘇Ĺijĺ
                   the knee with the palm turned upward, the foreÞ nger extended
                   and the other Þ ngers curled inward holding a round jewel, the
                   right hand raised by the shoulder holding lotus bud, the oval
                   face slightly bowed and framed by pendulous ears, a domed
                   ushnisha, and a round mandorla rising from the shoulder blades,
                   the stone a pale matte beige with ß ecks of lustrous yellow and
                   brown inclusions, stand (2)

                   Height 11½ in., 29.2 cm


                   PROVENANCE
                   Alice Boney, New York, 9th November 1982.
                   Collection of Florence (1920-2018) and Herbert (1917-2016)
                   Irving, no. 829.
                   The present statue of Buddha bears a strong resemblance to
                   one which is dated to the Þ fteenth year of the Kaihuang period
                   of Sui Wendi’s reign, corresponding to 596, and published in
                   Saburo Matsubara, Chinese Buddhist Sculpture: A study based
                   on bronze and stone statues other than works from cave temples,
                   Tokyo, 1966, pl. 214. In both carvings, the Buddha sits on a
                   rounded waisted pedestal, wears robes that fall in thick stylized
                   folds, and has a similar facial expression. Carved stone images
                   of the Buddha that bear this style of drapery and are set over
                   a waisted pedestal, include a Tang dynasty votive dated to
                   657, and published in Osvald Sirén, Chinese Sculpture from the
                   Fifth to the Fourteenth Century: over 900 specimens in stone,
                   bronze, lacquer and wood, principally from Northern China, vol. II,
                   Thailand, 1998, pl. 368; and a marble seated Þ gure of a Buddha
                   attributed to the 6th century sold at Christie’s New York, 29th
                   March 2006, lot 342.
                   $ 12,000-15,000





























                                   CHINESE ART FROM THE METROPOLITAN MUSEUM OF ART: THE FLORENCE AND HERBERT IRVING GIFT   131
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