Page 40 - Modern Chinese Paintings, Hk Nov. 27,2017

PROPERTY FROM A PRIVATE JAPANESE COLLECTION 日本私人收藏 (LOTS 1234-1246)

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1244 楊守敬 書法 水墨紙本 立軸 一九一三年作

YANG SHOUJING (1839-1914) 題識：瓊 林瑤樹擁樓台，戶牗臨風晚自開。
一鳥不飛人跡斷，扁舟何處獨歸來。
Calligraphy 癸丑（1913年）五月鄰蘇老人書於上海。時年七十有五。

Hanging scroll, ink on paper 鈐印：楊守敬印、鄰蘇老人、三葉遘武七秩離兵
137 x 34 cm. (53 √ x 13 ¡ in.)
Inscribed and signed, with three seals of the artist 日下部鳴鶴又題：楊星吾余海外知己也，一別卅年，
Dated fifth month, guichou year (1913) 夢寐不忘於思，今對此書有千里面晤之想嗟。
Further inscribed and signed by Kusakabe Meikaku (1838-1922), 甲寅（1914年）蘭秋，野鶴老人識，
with three seals 時年七十有四。
Dated autumn, jiayin year (1914)
Further inscribed and signed by Xuxin Laoren on the wooden box, 鈐印：東作、鳴鶴、玄同
with two illegible seals

NOTE: 虛心老人題於木盒：楊 守敬草書七絕。（文不錄）。
己卯（1939年）秋日，虛心老人題函故及。
Kusakabe Meikaku was the father of Japanese modern shodo and
the founder of the Meikaku style. He was one of the most famous 二印漫漶
calligraphers of the Meiji era. As a member of the emissary team of the
Qing court to Japan led by He Ruzhang, Yang Shoujing stayed in Japan 註：日下部鳴鶴（1838-1922），號野鶴、老鶴、鶴叟，別署蘭石
for four years between the thirteenth (1881) to the seventeenth year of 山房，墨皇室等。日本近代書道之父、鳴鶴流派的創始人、日本明
the Meiji era. At the time Kusakabe Meikaku studied under him as an 治時代最著名的書法家之一。楊守敬作為清朝駐日公使何如璋的随
apprentice of calligraphy. 員，從明治十三年（1881年）至十七年在日本逗留了5年。日下部鳴
鶴投其門下，成為其弟子，學習書法碑帖。
HK$20,000-40,000 US$2,600-5,100

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