Page 320 - Christies IMportant Chinese Art Sept 26 2020 NYC
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1803




          PROPERTY FROM A PRIVATE AMERICAN COLLECTION    PROPERTY FROM A PRIVATE AMERICAN COLLECTION
          1803                                           1804
          A RARE BLUE, AMBER AND STRAW-GLAZED POTTERY    A RARE SANCAI AND BLUE-GLAZED POTTERY TRIPOD
          PILLOW                                         OFFERING DISH
          TANG DYNASTY (AD 618-907)                      TANG DYNASTY (AD 618-907)
          The pillow is of rectangular shape, with the shallow concave top   The dish is crisply impressed in the center with a goose in flight, within
          impressed with a design of a pair of mandarin ducks standing on a lotus   a stylized design of radiating lotus on a wax-resist mottled ground
          blossom and holding a lotus spray between their beaks amidst flowers   below the green-glazed rim.
          and all against a blue-glazed background. The sides are mottled with   11¡ in. (29 cm.) diam.
          wax-resist against an amber and straw glaze.
          4√ in. (12.4 cm.) wide, base                   $40,000-60,000
                                                         PROVENANCE:
          $20,000-30,000
                                                         Treasures of the Tang; Christie's Los Angeles, 4 December 1998, lot 41.
          PROVENANCE:
          Treasures of the Tang; Christie's Los Angeles, 4 December 1998, lot 12.
                                                         A number of sancai dishes of the same design, decorated with geese
          An almost identical pillow from the Luoyang Museum of Cultural   against a resist-decorated ground, can be found in major museum
          Relics is illustrated in Collection of Masterpieces of Chinese Cultural   collections, including one in the Tokyo National Museum Collection,
          Relics - Ceramics, Hong Kong, 1993, p. 131, fig. 457. A second is   illustrated in Illustrated Catalogues of Tokyo National Museum -
          illustrated in Oriental Ceramics, Kodansha, Japan, 1982, vol. 1, fig. 39,   Chinese Ceramics, Tokyo, 1965, pl. 100; another in the Idemitsu
          from the Tokyo National Museum and in the Catalogue of the Tokyo   Collection, illustrated in Chinese Ceramics in the Idemitsu Collection,
          National Museum, Ceramics, vol. I, p. 68, no. 265. The same pattern   Tokyo, 1987, no. 33; one exhibited in the Luoyang Museum and the
          on a green ground is illustrated by Seiichi Mizuno, Tousansai (Tang   Liaoning Provincial Museum in 1989, and illustrated in Da Sancai
          Sancai), Heibonsha, Japan, 1977, vol. 35, col. pl. 21.  (Three-Colour Ware), p. 59, no. 46; one from the collection of Dr.
                                                         Gustaf Lindberg, exhibited in Venice in 1954, Arte Cinese, Catalogue,
          The result of Oxford Thermoluminescence test no. C97f84 is   no. 326; and one from the Victoria and Albert Museum, illustrated
          consistent with the dating of this lot.        by Margaret Medley, T'ang Pottery & Porcelain, London, 1981, pl. 32,
                                                         where the author notes on p. 41 that "it is almost certainly silver with
                                                         traced decoration that is the source for the impressed designs on
          唐 三彩鴛鴦紋枕                                       the offering-trays, dishes and wrist rests." Another example sold at
                                                         Christie's Hong Kong, Classical Chinese Art from the Sui to the Song
                                                         Dynasties, 1 June 2016, lot 3105.
                                                         The result of Oxford Authentication Ltd. thermoluminescence test no.
                                                         C298a33 is consistent with the dating of this lot.

                                                         唐 三彩藍釉三足盤
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