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groups, each with distinct  customs. Archaeological
                                                                         analyzes of the  remains at Yuchisi have identified
                                                                        the  site as a local subtype of the Dawenkou
                                                                               12
                                                                         culture.  Accordingly, these pictographs,  although
                                                                         identical, were not  clan signs; they were probably
                                                                         emblems or names for certain  sacrificial  rituals. 13  XY

                                                                         1  Yu Xingwu 1973, 32.
                                                                         2  Ren 1974; Shandong  1974, 72 - 73 and 116 -119.
                                                                         3  Major reports  of these discoveries are Huang 1979;
                                                                           Wang Shuming 1986,1987, and  1991; Li Xueqin 1987;
                                                                           Shandong  1991.
                                                                         4  Unpublished, according to Wang Jihuai, the  excavator.
                                                                         5  Shandong  1991, 206.  For additional pictographs, see Liang
                                                                           1995; Wang 1995.
                                                                         6  Gao 1979,115 -116; Shandong  1991,  202.
                                                                         7  For example, Qiu  1978!}; Gao  1984;  Li i986b; Cheung  1981.
                                                                           For the  opposite  view, see Wang  1981, 28 and  42; Wang
                                                                           1991.
                                                                         8  Keightley 1989,197 -198; Boltz 1994, 44 - 52.
                                                                         9  Wang Shuming 1989, 371 - 372; Shandong  1991,  206.
                                                                         10  Shao 1978; Gao  1979,114.
                                                                         11  Wang Shuming 1989  and  1991.
                                                                         12  Liang 1995; Wang 1995.  For general information on  the
                                                                           site, see Zhongguo Anhui 1994; Wang 19973.
                                                                         13  For a full  discussion of this suggestion  see Yang Xiaoneng
                                                                           1999.




                               After two decades  of research and  debate,  most
                            scholars now agree that the  Dawenkou incised
                            symbols are true pictographs. 7  The interpretation of
                            individual pictographs  is still underway. Some spe-
                            cialists have argued that the  Dawenkou pictographs
                            are akin in form  and  nature to "clan emblems" of
                            later bronze inscriptions and the  forerunners of
                            Chinese writing, while rejecting the characteriza-
                            tion  of the  pictograph  as true  "writing." 8
                               The urns excavated in the  Shandong  region,
                            were all from  medium- and  large-size tombs  and
                                                              9
                            were prominently positioned  in the  graves.  Their
                            placement  suggests  a significant function, although
                            the  precise purpose  of the  vessels, which are
                            identified  by some scholars  as components  of ritual
                            sacrifice 10  and  by others  as wine-making utensils, 11
                            remains the  subject of debate. The urns at Yuchisi
                            served as burial containers, used primarily for chil-
                            dren. People of the  Dawenkou culture, in the two
                            different  areas, belonged  to two separate  clans or





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