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33

  33a                                                                    a. Jade  plaque
                                                                                               5
                                                                                   l
                                                                         Height 3.9  (i /2),  width 7.1 (2 / 8)
                                                                         Liangzhu Culture, c. 3200-2000 BCE
                                                                         From Yaoshan, Yuhang, Zhejiang  Province

                                                                         Zhejiang Provincial Institute  of Archaeology,
                                                                         Hangzhou


                                                                         b. Jade  plaque
                                                                         Height  6.2  (2 V 2), width 8.3  (3  V*)
                                                                         Liangzhu Culture, c. 3200-2000 BCE
                                                                         From Yaoshan, Yuhang, Zhejiang Province
                                                                         Zhejiang Provincial Institute  of Archaeology,
                                                                         Hangzhou


                                                                         Although both  these plaques were excavated from
                                                                         a Middle Liangzhu site at Yaoshan, they are  techno-
                                                                         logically centuries  apart. The rather primitive-
                                                                                                           1
  33b                                                                    looking monster  face on the first plaque  (a)  is
                                                                         represented  by a pair of circular eyes and  a cross-
                                                                         shaped  mouth, all executed  in openwork. The
                                                                         carving technique — clearly at an early stage  in its
                                                                         evolution — is evident in the  Y-shaped cutouts
                                                                         that represent the  corners of the  eyes: having first
                                                                         drilled a hole, the  carver cut lines radiating outward
                                                                         (the bore  is detectable where the lines meet). The
                                                                         cuts are rough  and  clumsy, implying the  use of a
                                                                         soft  saw-blade possibly made of a leather  strap, as
                                                                         are the engraved  lines that describe the  eyebrows
                                                                         and nose. The archaic appearance  and crude manu-
                                                                         facture  of this plaque exhibit an  affinity  with a
                                                                         small openwork pendant unearthed  from  an  early
                                                                         Liangzhu site at Zhanglingshan in Jiangsu province
                                                                         and raise the  possibility that the two objects may
                                                                                                        2
                                                                         have been created  contemporaneously,  but  the
                                                                         plaque's smooth finish and the two beautifully
                                                                         drilled holes that represent  the  eyes suggest that it
                                                                         was probably reworked and  refinished  at a later
                                                                         time.
                                                                            The image depicted on the  second plaque  (b) 3
                                                                         — a variant of the  conjoined human figure and
                                                                         monster face — is far more complex than that of
                                                                         the first. A square-faced  and unusually  long-necked
                                                                         human figure, wearing a feather headdress  flanked



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