Page 324 - The Golden Age of Chinese Archaeology: Celebrated Discoveries from the People’s Republic of China
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1123                                                                   (196 centimeters  long  and  opening  to a width of
    detail
                                                                            276 centimeters),  trimmed with  lozenge-patterned
                                                                           jin brocade  at the  cuffs,  neck, and  lower hem,
                                                                            composed  the  sixth layer of the  Mashan  tomb
                                                                            occupant's  body  wrappings.
                                                                               The robe's  design  of real and  imaginary animals
                                                                            embroidered  in various colors — reddish  brown,
                                                                            brown, yellowish green,  yellowish brown, black, gray,
                                                                            and  a radiant  orange — is the  only gauze-weave
                                                                            embroidery  from  the tomb; the other  embroideries
                                                                           were stitched on a tabby  ground.  The robe is evi-
                                                                           dence of a demand  for intricate  motifs, executed  in
                                                                           luxurious materials, that could  only be created by
                                                                           hand. Although other fabrics from the  tomb testify
                                                                           to remarkable advances  in weaving, such  delicate
                                                                           patterns  of rich  color  and  material diversity  could
                                                                           not  have been produced  on a loom, nor  could  a
                                                                           loom have produced  the  lively and  formally bal-
                                                                           anced  rhythmic patterns of the  hand  embroidery. 3
                                                                              Gauze fabrics  (luo) are light, very delicate,  and
                                                                           almost transparent  weaves with many netlike  holes.
                                                                           (Luo  originally meant  a net  for catching  birds, a

                               112                                         meaning transferred  to the  gauze fabric with its
                                                                           hexagonal  holes.)  The complex weaving  technology
                               a. Embroidered  luo gauze weave sleeve      of gauze weaves can be traced back as early as  the
                                           3
                                                                                      4
                               Length ii4 (44 A), width at  cuff  32  (12 V 2),  Shang period.  Such translucent  and lustrous  silk
                               width at  shoulder  49  (19 'A)             was a luxury clothing  material in China, and, a few
                                                                           centuries  later, in classical  Rome, where its price
                               b. Fragment  of jin brocade body shroud
                                                       5
                                         3
                               Length  73 (28 / 4), width 50  (19 A)       matched that of gold.
                                                                              A single pattern-unit  measures  29.5  centimeters
                               c. Jin brocade  band with woven "pagoda"    by 21 centimeters.  The  silk threads  used  for  the
                               pattern                                     chain  stitches  range  between  0.2 and 0.4 milli-
                                                                                      5
                               Length 84  (33 ft), width 23 (9 ft)         meters in diameter; the  stitches themselves vary
                                                                           from  2 to 2.4 millimeters in length  and  from i to
                               Late Warring States  Period
                               (between 340  and  278 BCE)                 1.2 millimeters in width. The excavation report
                                                                           describes  this four crossed-warp  plain  gauze
                               From Tomb i at Mashan, Jiangling, Hubei Province
                                                                           (sijingjiao  suluo)  as a weave composed  of groups of
                              Jingzhou Prefecture Museum, Hubei Province   four comparatively coarse  (0.15  millimeters) warp
                                                                           threads  repeating  the weave structure over the
                                               1
                                                                                               6
                              This sleeve (cat. ma)  was originally part  of an  entire  width of the  fabric.  The weft  thread was
                              unlined robe tailored  from  grayish white silk gauze  fine and  untwisted.  The warp and  weft  threads  were
                              and  embroidered  with a complex design  of dragons,  given an S-twist of 3.000 to 3.500 turns  per  meter,
                              phoenixlike birds, and  tigers  (longfenghu  wenxiu)  which added  to the  elasticity  needed in the weaving
                              against  a background  of lavish, almost zoomorphic,  process.  In Han and pre-Han times the  four
                                             2
                              flowering tendrils.  The partially damaged  robe  crossed-warp threads consist of two fixed ends


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