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                                                                          Terra-cotta  figure  of a  charioteer
                                                                          Height  193 (76)
                                                                          Qin  Dynasty, third century  BCE (c. 210)
                                                                          From  Pit i at Xiyangcun, Lintong, Shaanxi Province
                                                                          Qin Terra-cotta  Museum, Lintong, Shaanxi Province


                                                                                              1
                                                                          This figure of a charioteer  was found  positioned
                                                                          behind  one  of the  chariots  in Pit i, accompanied
                                                                          by one  soldier at  his left  and  another  at  his  right.
                                                                          Other  groupings  suggest  variations in how such
                                                                          vehicles were manned — in  some cases  a driver, an
                                                                          officer,  and  a soldier; in others  only a driver and  a
                                                                          soldier. The charioteer  is clad in  full  armor. The
                                                                          figure's  square-shaped  bonnet,  tied  beneath  the
                                                                          chin, suggests  a high rank within the army.
                                                                             The verisimilitude of most Qin sculptures  has
                                                                          prompted  a number of commentators  to  identify
                                                                                                         2
                                                                          their  style as "realistic" or "naturalistic,"  a claim
                                                                          that  ignores the  marionette-like artificiality of the
                                                                          figures. This characteristic  inheres in the  subject
                                                                          matter itself: the  warriors had to be represented  in
                                                                          specific postures  and gestures  defined by their
                                                                          function. The conceptual  aspect  of their  style  occa-
                                                                          sionally makes these figures appear  rigid — some-
                                                                          times even frozen  in exaggerated  postures.  In so
                                                                          doing, however, it captures  the  stances  that  embody
                                                                          and  define — and thus differentiate — the specific
                                                                          function  of a specific warrior within the  army as a
                                                                          whole. The descriptive  style of representation  then
                                                                          literally transcribes each  warrior's attributes — his
                                                                          headgear, armor, outfit,  boots,  weapons — and  also
                                                                          differentiates  his function and  rank within the
                                                                          army. Both stylistic approaches,  organically inter-
                                                                          twined, delineate aspects  of the  model of the figure,
                                                                          and  establish its status  as a functional component
                                                                          of the army.
                                                                             The chariots found in the  First Emperor's
                                                                          necropolis are uniformly two-wheeled vehicles with
                                                                          a rectangular carriage linked by a single shaft  to
                                                                          a team of four  horses.  Chinese  archaeologists  have
                                                                          distinguished variations among the chariots; 3  those
                                                                          in  Pit 2 are primarily lightweight models that pre-
                                                                          sumably would have been used by an army on  the
                                                                          offensive.  Chariots were the  preeminent  symbol of




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