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                    doctrine  for the  most speedy attainment of enlight-  Parcel-gilt silver sandalwood incense  burner
                    enment; it was safely tucked  away out  of sight,  and  stand
                    doubtless  in a secret ceremony, before the main
                                                                                                3
                                                                 Censer: height  29.5  (nYs), diam. 24.8  (9 A),
                    ceremony  began. During the persecutions of 842-
                                                                 weight  6.4  (14 Vs)
                    845, the  Chongzhen  (Famen) Monastery, as the             1
                    monastery outside  the  capital most closely associ-  Stand:  height   3 21 (S /*), diam. 43.5  (17 Vs),
                    ated  with the  court,  was allowed to survive un-  weight  8.9  (19 A)  to  869 CE
                                                                 Tang Dynasty, dated by inscription
                    scathed;  the  fact that the  four fingerbone relics  From the  pagoda  of the  Famen Monastery at  Fufeng,
                    are almost identical in shape  and  size (varying  Shaanxi Province
                    between  37 and  41 millimeters) makes it tempting  to
                    suppose  that  some of them had  originally been  Famensi Museum, Fufeng, Shaanxi Province
                    enshrined  elsewhere and brought  to the imperial
                                                                 Houston  and  San  Francisco  only
                    monastery for safekeeping.  In 603,  under  the Sui
                                                                                             1
                    dynasty, relics  were sent from  the  capital  to be  This impressive censer and its stand  were found in
                    enshrined  in pagodas  throughout  the  empire. Such  the center of the  inner  chamber.  Both are  described
                    relics, like the  images that  were disseminated  in the  on the  inventory stele among the  very first of the
                    same fashion by the  Sui emperors, and that share a  122 objects  dedicated  by Emperor Yizong in  873 CE:
                    common  style, must have been made to a rigorous  "an incense  burner  and stand together weighing
                    common  specification.  RW                   380  Hang."  An inscription incised on the  underside
                                                                 of the  censer confirms the  identification:  "In the
                    1  The seven objects form  Kegazawa's Group A in his very  tenth year of Xiantong  [869  CE], the Wensiyuan
                       thorough  analysis of the  relic groupings  (1996).
                    2  These identifications are made here  for the first time.  made an  8-cun (8-inch) silver gilt decorated  incense
                       Previous reports  have identified  the  skirt with a much  burner  with stand  and hanging rings, together
                       larger fragment of embroidery, densely embroidered  with  weighing 380  Hang. Craftsman Chen Jingquan;
                       lotus flowers (Famensi 1994,  72). Wang Yarong (Wang  1988,
                       27) and  Wang Xu (Wang and  Hu  1998,  205)  called  the  Administrative Assistant  of High Rank Wu  Hongque;
                                                                                       2
                       jacket a banbi (half-sleeve), but this term is not  found  Commissioner Neng Shun."  The numerals i, 3,
                       anywhere in the  inventory stela; the pi'ao of the inscrip-  and 4 are engraved on the  lid, body, and  stand,
                       tion— a lined jacket — corresponds exactly to the jacket
                       recovered  from the  crypt.               respectively.
                    3  Excavated in  1987  (FD 5:044-7); reported: Shaanxi 19883, 7.  Incense and  fragrances were common  offerings
                    4  There are different  opinions regarding which was the  in Buddhist  worship; the  smoke  from the burning
                       principal relic: The yellow bone  relic in its jade coffin  and
                       crystal sarcophagus; or the white jade relic, with the seven  incense  would waft through the  air just as the
                       stars of the  Great  Bear carved inside, enshrined  in the  teachings  of the  Buddha spread  through  the  world.
                       eightfold  set of caskets.  I-mann Lai, personal  communica-  Incense burners  were a common  item as early as
                       tion.
                    5  For a discussion of the  iconography, see Han  1998.  the  Han dynasty (206  BCE -220  CE). Long before
                       A further detailed analysis of the  iconography  is in prepa-  that, during  the  Shang  dynasty  (c. 1600-1100 BCE),
                       ration by 1-mann Lai, doctoral candidate at the  School  burnt  offerings  were made to the  ancestral  spirits
                       of Oriental and  African  Studies, University of London.
                                                                 and to Shangdi, the  Supreme  Ruler. At that time,
                                                                 the  vessel of the  greatest  importance  for such  offer-
                                                                 ings was the  ding, or tripod bowl. Ding vessels, in a
                                                                 variety of materials, were to become the  chief  altar-
                                                                 vessel in Buddhist ceremonies  as well. During  the
                                                                 Tang dynasty, however, a  five-footed  form  of  incense
                                                                 burner  seems to have been favored. On the evi-
                                                                 dence of Buddhist  silk paintings  from  Dunhuang,
                                                                 the  censer on the  altar  in front of the  Buddha was



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