Page 502 - The Golden Age of Chinese Archaeology: Celebrated Discoveries from the People’s Republic of China
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                       A group of six painted pottery female  figures  products  of centuries  of intermarriage  and  ex-
                                                                   change that resulted  from  foreign conquest  of this
                       Height  71 -86 (28- 33 7s)
                                                                    region  shortly after the  fall of the  Han dynasty in
                       Tang Dynasty, early to mid-eighth century CE  221 CE; their  links to non-Chinese  people  and  social
                       From the  tomb  at Hansenzhai, Xi'an,
                       Shaanxi Province                             customs remained strong. Nowhere was this diver-
                                                                    sity more apparent  than  in attitudes  toward women
                       Xi'an Municipal Institute  of Archaeology and  and the  relative freedom they were allowed. Figures
                       Preservation of Cultural Relics, Shaanxi Province  from the Jinxiang tomb depict women mounted  on
                                                                    horseback — playing musical instruments,  partici-
                       A large number of dated  or datable  tombs of  the  pating in hunts or in polo matches  (see cats.  170,
                       Tang dynasty have been  excavated in and  around  171) — or performing physically demanding  dances.
                       the  Tang capital near Xi'an, Shaanxi province, in  The women are thin  and wear tight-fitting  clothing
                       the  past  few decades.  The funerary  figurines found  appropriate  for the  activities in which they are
                       in these  controlled  excavations have allowed for  engaged, testimony to an athletic  ideal of feminine
                       a remarkably complete  survey of the  interests  and  beauty particular to the  period.
                       tastes  of the  Tang aristocracy. Among the  develop-  By the  middle of the  eighth  century, however,
                       ments that can be traced  in these figures are  that ideal had changed: The women depicted  in
                       changes  in the  ideal of feminine  beauty.  paintings and  in mingqi are plump; they wear elabo-
                          The ruling clan and many of the  elite of the  rate, loose-fitting garments and decidedly imprac-
                       Tang dynasty came from  a group of aristocratic  tical shoes — dress ill-suited to a strenuous, active
                       families  from  the  northwest region of China —  life. This change is only one  of many signs that



                       501   TANG  POTTER Y  F I G U R E S
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