Page 508 - The Golden Age of Chinese Archaeology: Celebrated Discoveries from the People’s Republic of China
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South  wall and  ceiling of
       the anteroom  of the  tomb
       of Wang Chuzhi. Paintings
       of male attendants flank
       the entrance;  a map of the
       constellations decorates
       the ceiling. The niches
       contained  painted figures
       of the  Twelve Earthly
        Branches.























                              precedent,  but  the  presence  here of two landscape paintings of an independent  genre
                              undoubtedly testifies to the  popularity of what was still a relatively new art — one that  had
                              already become  important by the  early tenth  century within the  context  of tomb decoration. 5
                              The repeated  effect  of curtains opening around the  main painted  panels is an unusual feature
                              of the  decor, which seems to highlight the  art  of painting itself.
                                   Most impressive and  unusual of all, however, are two large, painted  marble reliefs  of rare
                              artistic quality that were set into the  walls of the  rear chamber, which contained  the  body
                              of Wang Chuzhi. The panel on the  west wall, consisting  of fifteen figures, depicts  a complete
                              female  orchestra, together  with its conductor  and two dancers. The panel on the  eastern  wall

                              portrays an assembly of thirteen  female  attendants  and  another  person, possibly a dwarf, all
                              carrying a variety of luxury items such as porcelain  cups and  cosmetic  boxes. These two beauti-
                              fully  carved and  painted  relief compositions, each measuring 82 by 136 centimeters,  deserve
                              to be regarded  as masterpieces of Chinese  sculpture.  Overall, Wang Chuzhi's tomb  stands  out
                              even among the  large group excavated in northern  China dating  from  the  period  of the  Late
                              Tang, the  Five Dynasties, Liao, Jin, and  Northern  Song — from  roughly 900  to  1100  CE,  a major
                              era in tomb  design.
                                   Wang Chuzhi's tomb had been  broken into at least twice prior to its excavation, and
                              thieves had  hacked off many of the  original stone  reliefs, including most of the  figures  repre-
                              senting the  Twelve Earthly Branches and the  large reliefs that  once  decorated  the  side walls
                              of the  entrance  hallway. Thieves also removed most of the  original store  of grave goods, which




                              507  |  TOMB  OF  WANG  C H U Z H I  AT  X I Y A N C H U A N
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