Page 97 - The Golden Age of Chinese Archaeology: Celebrated Discoveries from the People’s Republic of China
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                                                                         Terra-cotta  torso of a pregnant woman
                                                                         Height 5 (2)
                                                                         Hongshan Culture, c. 4700-2920  BCE
                                                                         From Dongshanzui, Kazuo, Liaoning Province
                                                                         Liaoning Provincial Institute  of Archaeology,
                                                                         Shenyang


                                                                         In  1979, archaeologists  excavated a round, altarlike
                                                                         stone  structure  and a square stone structure  at
                                                                         Dongshanzui. Surrounding the round  stone  struc-
                                                                         ture, 2.5 meters in diameter, nearly twenty  frag-
                                                                         ments of terra-cotta  figures  were discovered,
                                                                         including a half-life-size figure, sitting  cross-legged
                                                                         with its hands  clasped together in front of the  body,
                                                                         and this terra-cotta  torso  of a small, naked  pregnant
                                                                               1
                                                                         woman ; the latter and a similar torso in  particular
                                                                                            2
                                                                         have intrigued scholars.  In 1963,  a tiny  pottery
                                                                         sculpture  of a naked torso was excavated  at Xishui-
                                                                                                  3
                                                                         quan, Chifeng, Inner Mongolia,  but  attracted  little
                                                                         attention.  The Chinese  did not, apparently, have a
                                                                         tradition  of sculpting naked figures comparable, for
                                                                         example, to classical Greek and  Roman sculpture.
                                                                         Anatomically detailed, naked pottery  or wooden
                                                                         funerary figures were fashioned during the  Han
                                                                         dynasty, but their  bodies  were clothed. 4  Sculptures
                                                                         from  this period  exhibit subtle  differences in  facial
                                                                         features that served to distinguish  one figure from
                                                                         another. Among the  most  famous of these are the
                                                                         terra-cotta figures from the pits near  the Qin First
                                                                         Emperor's mausoleum (cats. 123-128).
                                                                            The artist  of the  Hongshan  torsos stands out
                                                                         in his adept  representation  of the  human form. In
                                                                         comparison, other  contemporary  sculpture  is more
                                                                         primitive and  naive (fig. i). Perhaps because  of the
                                                                         artist's skill and the  uniqueness  of sculpted  repre-
                                                                         sentations  of nudes, this figure and another  (not
                                                                         exhibited here)  have been admired as China's own
                                                                         version of Venus; she  is sometimes identified as a
                                                                         fertility goddess. 5
                                                                            An unbaked  clay female head excavated  from
                                                                         the  female  spirit temple  also relates to the  Hong-
                                                                                     6
                                                                         shan sculpture.  The head's proportions are  realis-
                                                                         tic and  her  expression  affable.  Her eyes were inlaid
                                                                         with turquoise, while her  slightly opened lips  con-



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