Page 102 - Bonhams May 12 16 London

Incorporating Western techniques and Chinese traditional designs, the
present vase is a remarkable example of the ability of craftsmen during
the Qianlong period. The so-called ‘Western Colours’ palette (yangcai
洋彩), was highly regarded by the emperor, as well as the delicate
shading for the flowers and the pointillist technique that created a
three-dimensional effect to the animals. The Rococo-inspired curling
leaves and feathery pointed petals, further expression of the emperor’s
penchant for exoticism, are skilfully combined with powerful Chinese
symbols such as dragons, emblematic of Imperial sovereignty and
lotus flowers symbolic of purity and peaches, underscoring wishes for
immortality.
A related vase, Qianlong seal mark and of the period, decorated with
the same unusual colour palette and techniques as the present lot
is illustrated in The Complete Collection of Treasures of the Palace
Museum. Porcelains with Cloisonné Enamel Decoration and Famille
Rose Decoration, Hong Kong, 1999, pl.95.
Compare with another vase, Qianlong seal mark and of the period,
was sold at Sotheby’s Hong Kong, 7 April 2015; a similar bottle vase
but with overglaze blue enamel, Jiaqing seal mark and of the period,
was sold in these rooms, 7 November 2013, lot 181.

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