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109† Y Ф                                                               A rock crystal vase, waterpot and lingzhi group of high artistry
AN EXCEPTIONAL ROCK CRYSTAL VASE, WATERPOT AND                         and craftsmanship, such as the present lot, is extremely rare. The
LINGZHI GROUP WITH IVORY STAND                                         accomplishment of Qing imperial craftsmen is exemplified in a related
Qianlong                                                               rock crystal vase group, carved with phoenix, bat and auspicious
Boldly carved as an archaistic hu vase with scrolling kui dragon       plants, illustrated by S.Bushell, Chinese Art, vol 1, London, 1921,
handles flanking the waisted neck, and a well-fitted cover with        pl.102. See also a similar crystal vase with lingzhi illustrated in Qing dai
gently-sloping edges, beside a globular water pot, all surrounded by   yu diao zhi mei, Taipei, 1997, pl.128.
entwining gnarled lingzhi stems and leafy branches of peaches, 22cm
(8 5/8in) wide; the ivory stand meticulously carved with openwork      Inspiration was also drawn from jade carvings, compare with a jade
designs of interlocking chilong surrounded by branches of lingzhi and  vase group with auspicious animals, Qianlong mark and of the period,
peaches. 23.7cm (9 3/8in) wide (3).                                    illustrated in Compendium of Collections in the Palace Museum: Jade
                                                                       10, Beijing, 2010, p.57, pl.30, which highlights the similar exquisite
£50,000 - 80,000       CNY460,000 - 730,000                            quality and form of carving.
HK$550,000 - 880,000	
                                                                       The ivory stand that supports the rock crystal vase is no less
清乾隆 水晶壽桃靈芝帶染牙座雙尊                                                       exceptional and is typical of eighteenth century Qing imperial
                                                                       craftsmen. The fine mastery of the carving can be compared to that on
                                                                       an ivory screen, Qianlong period, illustrated in The Complete Collection
                                                                       of Treasures of the Palace Museum: Bamboo, Wood, Ivory and
                                                                       Rhinoceros Horn Carvings, Hong Kong, 2002, pp.220-221, pl.179.

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