Page 135 - Fine Japanese Art Bonhams London May 2018
P. 135

This colourful, intricate icon by Sumiyoshi
           Hirosada, a goyo eshi or official painter to
           the Tokugawa shoguns, throws interesting
           light on the late-Edo-period revival of interest
           in medieval Buddhist painting. According
           to the signature, it was copied from an
           ancient original that Hirosada attributed to
           the legendary master Fujiwara Nobuzane—
           renowned as the pre-eminent court artist of
           his time—none of whose autograph works
           survive today. The lengthy inscriptions in
           the margins include the information that the
           original scroll copied here by Hirosada was
           commissioned by the Hashimoto, a wealthy
           family of Hamana in Totomi Province (present-
           day Shizuoka Prefecture), as an offering in
           hopes of their daughter’s recovery from a
           serious illness; it was subsequently dedicated
           at the Rurisan Daifukuji, a temple of the
           Shingon sect in Hamamatsu, also in Totomi.

           The iconography is based on the Daranihon,
           Chapter 26 of the Hokkekyo (Lotus Sutra),
           which describes Fugen’s appearance in the
           east, surrounded by a multitude of deities.
           For a surviving thirteenth-century version
           of this subject, although with a less rigidly
           symmetrical composition, compare a hanging
           scroll in Nara National Museum (http://www.
           narahaku.go.jp/english/collection/824-0.html).
           As in the present scroll, the ten Rasetsunyo
           are depicted as Japanese court ladies,
           reflecting the popularity of the Lotus Sutra
           among the late-Heian period female elite.






           284  *
           ARTIST UNKNOWN
           Muromachi Period (1333-1573),
           15th-16th century
           Framed and glazed sonsho mandara, ink,
           colours and gold on silk in silk mounts,
           depicting 13 deities, in the centre Dainichi
           Nyorai, the cosmic Buddha, surrounded by
           eight bosatsu (bodhisattvas), below them
           Fudo Myo-o and Jizo Bosatsu (taking the
           place of Gosanze Myo-o as seen in earlier
           mandara painting), above them Monju
           Bosatsu holding a sword and another deity
           to the right.
           Overall: 159cm x 157.2cm (62½in x 61 7/8in);
           image: 134cm x 48.5cm (52¾in x 19 1/16in).

           £4,000 - 6,000
           JPY600,000 - 910,000
           US$5,700 - 8,500

           Provenance
           Stoclet collection, by repute.



                                                               284

           For details of the charges payable in addition to the final Hammer Price of each Lot
           please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.  FINE JAPANESE ART  |  133
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