Page 146 - Fine Japanese Art Bonhams London May 2018
P. 146

297

           297  *
           NAGASAKI SCHOOL
           Edo period (1615-1868), early 19th century        the room lavishly decorated with Chinese screen paintings, the open
           Framed and glazed painting, ink and colours on paper, depicting a   shoji sliding doors revealing a view of Nagasaki Bay with foreign ships
           scene in the Dutch Factory (Trading Post), with foreign ships at anchor   at anchor; unsigned. Overall: 56cm x 88cm (22in x 34 5/8in);
           in Nagasaki Bay, unsigned; with a cardboard box.    image: 31.5cm x 63.5cm (12 3/8in x 25in).
           Overall: 66.5cm x 81.5cm (26¼in x 32 1/8in);
           image: 41cm x 48cm (16 1/8in x 18 7/8in). (2).    £3,000 - 3,500
                                                             JPY450,000 - 530,000
           £2,000 - 3,000                                    US$4,200 - 4,900
           JPY300,000 - 450,000
           US$2,800 - 4,200                                  Provenance
                                                             Eymery & Cie., Rue St-Honoré, Paris.
           For the style and subject matter of this painting, please refer to lot 298.
                                                             The style of this painting, including its bird’s-eye view perspective,
                                                             recalls the work of Kuwahara Keiga, a little-known artist who
           298  *                                            was permitted to live in the foreign enclave at Nagasaki where he
           NAGASAKI SCHOOL                                   associated with the Dutch residents, making a living depicting them
           Edo period (1615-1868), early 19th century        and their activities. For an example of his work registered as an
           Section of a handscroll, ink and colours on silk, matted and framed,   Important Art Object and held by the Nagasaki Municipal Museum,
           depicting a scene in the Dutch Factory (Trading Post) with the Dutch   see William Watson, The Great Japan Exhibition: Art of the Edo Period,
           Opperhoofd (Headman) entertaining Japanese samurai guests to a   London, Royal Academy of Arts,1981, cat. no. 55. The exotic nature
           banquet including male musicians and female entertainers, the table   of the Dutch Factory is emphasized here by the inclusion of luxury
           spread with an Indian calico cotton cloth and laden with silver vessels,   Chinese, European and South Asian furnishings.

                                                    For details of the charges payable in addition to the final Hammer Price of each Lot
           144  |  BONHAMS                          please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue.
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