Page 169 - Fine Japanese Art Bonhams London May 2018
P. 169

(front)




























           (reverse)







           Two websites connected with the northern city of Hirosaki in Aomori
           Prefecture mention a pair of screens of cherry- and maple-viewing by
           Arai Seiho recently acquired by Hirosaki City Museum; one of the sites
           adds the information that another of this artist’s names was Tsunesato,
           using the characters of the signature on this lot. Arai, an artist based in
           Edo and retained by the Hirosaki domain, was a pupil of Kano Eisen’in
           Osanobu. Even without the evidence of the signature there can be
           little doubt that this is a late-Edo version of the Uji Bridge theme, made
           famous by a number of Momoyama-period (1573-1615) screen pairs,
           but it is rare to find an attributable example of such a revival piece; see
           http://www.city.hirosaki.aomori.jp/hakubutsukan/kannzouhinNo5.pdf
           and http://www.furusato-ouendan.com/spot/1051


                                                                                             (signature on reverse)


                                                                                             FINE JAPANESE ART  |  167
   164   165   166   167   168   169   170   171   172   173   174