Page 96 - Bonhams Chinese Paintings and Works of Art Sept 15, 2015
P. 96

PROPERTY FROM THE ROBERT AND CAROL ALLEN COLLECTION
                               8099
                               AN IMPERIAL DARK BLUE-GROUND ‘DRAGON ROUNDEL’ KESI SURCOAT, GUNFU
                               19th century
                               The robe opening down the front, the dark blue silk ground woven in kesi technique with four
                               roundels, each containing a golden five-clawed front-facing dragon encircling a flaming pearl
                               above rolling waves and surrounded by pink and blue bats and two elaborate shou medallions,
                               each dragon beneath one of the Twelve Symbols of Imperial Authority, the moon on the right
                               shoulder, the sun on the left shoulder, the constellation on the front and the mountain on the
                               back, the lining of plain mid-blue silk.
                               47 1/2in (120.5cm) long
                               $35,000 - 50,000

                               十九世紀 石青緞緙絲金龍十二章團紋官服

                               Provenance
                               Ex-Collection of Jon Eric Riis

                               The surcoat was a new type of over-garment developed in the second half of the 18th century.
                               Its design is intended to complement the dragon robe to be worn underneath: the wide-opening,
                               shorter sleeves would reveal the horseshoe cuffs of the robe beneath, and the shorter length of
                               the surcoat deliberately stopped short of the lishui or standing water hem - this hem in turn was
                               increased in depth during the same period in response to the introduction of the surcoat.

                               The use of the four of the Twelve Symbols of Authority, and the four dragon roundels, indicates
                               that only the Emperor himself could have worn this robe, as specified in the Da Qing Hui Dian,
                               ‘Collected Statues of the Great Qing.’ The placement of such symbols on the robe was highly
                               ritualized, reflecting the cardinal points of the compass and the placement of each sacrificial
                               altar: as the wearer would have faced South, the sun rose in the East hence it is placed on his
                               left shoulder, and the moon on his right in the West, the constellation representing Heaven in
                               the South on his chest, and the mountain representing Earth in the North on his back.

                               Emperor’s surcoats are extremely rare, but a surcoat (bufu) made for a Crown Prince and
                               dated 1796-1850 is in the collection of the Victoria & Albert Museum, London, no.T.754-1950.
                               Another surcoat with the two of the Symbols, the sun and moon on the shoulders, dated
                               circa 1800 is illustrated in Celestial Silks: Chinese Religious & Court Textiles, Art Gallery of
                               New South Wales, Sydney, 2004, p. 65, no. 30. A summer gauze bufu made for a Prince, and
                               without the Symbols, sold at Christie’s Hong Kong, sale 3322, 28 May 2014, lot 3351.

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