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           A TRANSPARENT RUBY-RED GLASS 'CHILONG AND SHOU-   Two similar bottles, a transparent cranberry-pink and a transparent
           CHARACTER' BOTTLE                                 emerald-green example are illustrated by Robert Hall, The Maxwell
           1780-1820                                         Collection of Chinese Snuff Bottles, Hong Kong, 2013, pp. 14-15 and
           Of flattened oval shape, the attractive ruby-red glass thinning in tone   24-25, nos. 20 and 40 respectively.
           toward the center of the body and extremely well carved in low, soft
           relief with two descending dragons on each main face coiling inward   The matrix of the glass is widely suffused with tiny air bubbles and
           towards a shou character, their furcated tails forming scrolls above, the  fades in places to a paler color. The wide mouth here is typical of early
           narrow sides of the bottle with rounded horizontal ribs corresponding   imperial glass snuff bottles, and a date from the Qianlong period is
           to the various segments of the body.              the most likely one. In certain arts, however, including those of the
           2 3/16in (5.6cm) high, stopper                    lapidary, the highest standards appear to have been maintained to the
                                                             end of the reign, and momentum carried high-quality production into
           $6,000 - 8,000                                    the nineteenth century. Thus, it is conceivable that a bottle of this kind
                                                             might have been made to Qianlong standards into the Jiaqing reign.
           1780-1820 透明寶石紅料刻淺浮雕壽龍鼻煙壺一件
                                                             The high overall quality, with thoughtful detailing of the simple formalized
           Provenance:                                       dragons in a manner typical of the finest examples of Qianlong archaism,
           My Humble House, Taipei, 1994                     the clever integration of the side profile and design, represents a level of
           Hugh M. Moss Ltd., Hong Kong, 1995                aesthetic sophistication typical of the Qianlong period.
           Sotheby's Hong Kong, The Mary and George Bloch Collection, Part X,
           31 May 2015, lot 208                              For another example of this form and decoration in ruby-red, see
                                                             Sotheby's New York, 15 September 1998, lot 53.
           Exhibited:
           Chinese Snuff Bottles, Tsui Museum of Art, Hong Kong, 1996, no. 26
           Published:
           Christopher Sin, Humphrey Hui, and Po Ming Kwong, eds., A
           Congregation of Snuff Bottle Connoisseurs: An Exhibition of Chinese
           Snuff Bottles, Tsui Museum of Art, Hong Kong, 1996, cat. no. 26
           Hugh Moss, Victor Graham and Ka Bo Tsang, A Treasury of Chinese
           Snuff Bottles: The Mary and George Bloch Collection, vol. 5, Part 2,
           Hong Kong, 2002, no. 823

           來源:
           寒舍,臺北,1994年
           莫士撝,香港,1995年
           蘇富比,香港,瑪麗及莊智博珍藏,第十部分,2015年5月31日,拍
           品號208

           展覽:
           中國鼻烟壺,徐氏藝術館,香港,1996年,編號26
           出版:
           冼祖謙,許建勳、鄺溥銘,《壺趣集慶 - 中國鼻煙壺展》,徐氏藝術
           館,香港,1996年,目錄,編號26
           莫士撝, Victor Graham 及曾嘉寶,《A Treasury of Chinese Snuff
           Bottles: The Mary and George Bloch Collection》,卷五,香港,2002
           年,編號823














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