Page 28 - 2019 OctoberSur Quo Wei Lee Collectim Important Chinese Art Hong Kong
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The present charger is a fine example of the technical   rooms, 8th April 2013, lot 20. Three further chargers from the
           developments achieved by potters during the early Ming   Ardebil Shrine in the National Museum of Iran, Tehran, are
           dynasty. One of the most striking decorative innovations of   included in John Alexander Pope, Chinese Porcelains from the
           early 15th century wares was the use of separate floral sprays   Ardebil Shrine, Washington, D.C., 1956, pl. 35; and a charger
           in the cavettos instead of the continuous scroll. The heavy   in the British Museum is shown next to a related pottery copy
           wreath of lotus or peony found on 14th century dishes gave   from Iznik in Turkey in Jessica Rawson, Chinese Ornament.
           way to a series of delicate and more varied motifs. Two sets of   The Lotus and the Dragon, London, 1984, pl. 163. See also a
           six flower sprays were commonly repeated so that each pair   charger of this type in the National Palace Museum, Taipei,
           of flowers sat diagonally opposite each other.   included in Pleasingly Pure and Lustrous: Porcelains from the
                                                         Yongle Reign of the Ming Dynasty. Guidebook, Taipei, 2017,
           A closely related charger in the National Palace Museum,   pp. 70-71. Another related charger formerly in the collection of
           Taipei, was included in the Special Exhibition of Early Ming   Mr and Mrs Eugene Bernat was recently sold in these rooms,
           Period Porcelain, National Palace Museum, Taipei, 1982, cat.   3rd October 2018, lot 140, also from the collection of Sir Quo-
           no. 37; one in the National Museum of China is published   Wei Lee.
           in Zhongguo Guojia Bowuguan guancang wenwu yanjiu
                                                         Although examples of this exact design have not been
           congshu/Studies on the Collections of the National Museum
                                                         recorded from the excavations of the Ming imperial kiln
           of China, Ciqi juan: Mingdai [Porcelain section: Ming dynasty],
                                                         site, similar large dishes of this form, painted with related
           Shanghai, 2007, pl. 20; another in the British Museum,
                                                         designs, have come to light in the Yongle stratum of the site;
           London, is illustrated in Jessica Harrison-Hall, Ming Ceramics,
                                                         see, for example, the dish included in the exhibition Yongle
           London, 2001, pl. 3:35; and a fourth example, published
                                                         Imperial Porcelain Excavated at Zhushan, Jingdezhen, Capital
           in Regina Krahl, Chinese Ceramics from the Meiyintang
                                                         Museum, Beijing, 2007, cat. no. 68.
           Collection, vol. 2, London, 1994, pl. 663, was sold in these
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