Page 36 - Bonhams September 12 2018 New York Japanese Works of Art
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                                                             MYŌCHIN MUNEYOSHI 明珍宗義
                                                             An Articulated Iron Model of a Spiny Lobster
                                                             伊勢海老自在鉄置物
                                                             Meiji era (1868–1912), late 19th–early 20th century
                                                             Made from numerous well-patinated hammered iron plates, invisibly
                                                             joined so that the body bends and the legs and whiskers move,
                                                             signed underneath the body with chiseled characters Nanajūsan-ō
                                                             Myōchin Muneyoshi kore o tsukuru 七十三翁明珍宗美作之 (Myōchin
                                                             Muneyoshi made this, aged 73)
                                                             Length fully extended 15 1/2 in. (39.5 cm)

                                                             $25,000 - 35,000
                                                             The Myōchin family was the most successful of the numerous
                                                             dynasties of professional armorers that originated in late-medieval
                                                             Japan. In the Edo period (1615-1868) the family opened branches
                                                             not just in the major cities but also in the chief towns of many
                                                             provincial fiefs where they turned out vast quantities of cuirasses,
                                                             helmets, face masks, and other components that were needed for
                                                             samurai armor. Myōchin craftsmen were highly accomplished in using
                                                             tiny rivets to join multiple iron plates, creating protection that was
                                                             both relatively light and highly flexible; over time, they repurposed
                                                             their skills to make ingenious and astonishingly lifelike articulated
                                                             models of snakes, fishes, crustaceans, and insects. While early
                                                             examples were purchased by the Myōchin family’s established senior
                                                             samurai clientele, during the Meiji era they caught the attention
                                                             of foreign buyers and earned praise from Japanese semi-official
                                                             commentators such as a writer for Bijutsu Gahō (The Magazine of
                                                             Art) who drew attention in 1894 to one example’s “ . . . aptitude .
                                                             . . in wrought or hammered iron . . . beautiful execution and tone
                                                             of color given to the material, alone, not to say anything about the
                                                             ingenious arrangement.”

                                                             The signature Muneyoshi is also found on an articulated model of a
                                                             snake from the Hull Grundy collection in the British Museum (inv. no.
                                                             HG.207) and on a snake in Tokyo National Museum (see http://www.
                                                             tnm.jp/modules/r_free_page/index.php?id=573)

                                                             Reference
                                                             Bijutsu gahō 美術画報 (The Magazine of Art) October 1894



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