Page 104 - Fine Japanese Art November 29, 2019 Galerie Zacke
P. 104

88  |   SHIBATA ZESHIN:
                           A FINE URUSHI-E PAINTING
                     By Shibata Zeshin (1807-1891), signed Zeshin with seal
                     Japan, circa 1872-1890, Meiji period (1868-1912)

                     A virtuoso urushi-e painting of two noble ladies and a child seen
                     from the back, all wearing masterfully decorated Kimono, and
                     mesmerized from watching a sparrow (suzume) perched on the
                     tiniest branch of a blooming cherry tree. Signed to lower right
                     ZESHIN with one seal of the artist. Colored lacquer and gold foil on
                     very thin paper. Zeshin’s long artistic career is marked by several
                     striking innovations in lacquer technique and compositional layout.
                     These two interests come together in the lacquer paintings, or
                     urushi-e, of his later period. For these he invented a method of
                     mixing colour with a kind of lacquer that would not crack when   It is thought that Zeshin first worked in
                     applied to a flexible surface such as paper or silk. In the painting   urushi-e in 1872 and it is certain that the
                     presented here, the strong dominant shape of the Kimonos and   technique was well developed by 1876,
                     the sharp diagonal formed by the shutter at the upper right across   when he submitted an album of urushi-e
                     more than half the page is a compositional device mastered by   paintings to the Philadelphia Centennial
                     Zeshin.                                      Exhibition, where he won a prize. The jury’s
                                                                  citation read: “The application of urushi-e to
                     SIZE 19 x 17 cm                              thin paper is a remarkable technique. His
                                                                  depiction of the natural world is very lifelike
                     Condition: Minimal soiling and microscopic losses to lacquer. Some   and full of strength.”
                     scratches and minor creases. Three small spots of white color,
                     which probably can be removed.               Estimate EUR 5.000,-
                     Provenance: From an important Austrian private collection.  Starting price EUR 2.500,-




























 87  |   SHIBATA ZESHIN: A FINE KISERUZUTSU    Condition: Excellent and original condition with miniscule expected
 WITH FRUITING TAMARILLO BRANCH  wear to lacquer.
 Provenance: Collection of Drs. Edmund and Julie Lewis.
 Signed Zeshin
 Japan, late 19th century, Meiji period (1868-1912)  Shibata Zeshin (March 15, 1807 – July 13, 1891) was a Japanese
 lacquer artist and painter of the late Edo period and early Meiji era.
 He has been called “Japan’s greatest lacquerer”. He was known for
 The kiseruzutsu of muso-zutsu form and lacquered magnificently   his techniques in imitating various materials such as bronze or iron
 to emulate woven bamboo (rattan). The ground is decorated with   – or in this case woven bamboo.
 fine takamaki-e to depict an image of a fruiting tamarillo branch,
 a very rare exotic fruit imported by the Dutch. Two large ripening   Auction comparison: Compare to a
 fruits (the fruits turn deep red when ripe) are executed in thick   related inro by Zeshin, sold by Van Ham,
 takamaki-e, the ripening process is emulated masterfully – the   Asiatische Kunst, 12 June 2019, Cologne,
 orange streaks in the red appear like the stroke of a paintbrush.   lot 2236.
 The vines are executed playfully, and the leaves are finely lacquered
 in black with golden veins. The insert continues the design and   Estimate EUR 4.000,-
 shows golden buds. Signed on the bottom of the insert ZESHIN.   Starting price EUR 2.000,-
 The tranquility of the design, superior lacquering, as well as the
 very unusual emulative ground, suggest that this is by the master
 himself or at least very close hand.

 HEIGHT 22.5 cm




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