Page 179 - Fine Japanese Art November 29, 2019 Galerie Zacke
P. 179

148  |  A VERY LARGE
                                                                                                                                      AND IMPORTANT
                                                                                                                                      PAINTED WOODCUT
                                                                                                                                      PRINT DEPICTING
                                                                                                                                      THE DEATH OF
                                                                                                                                      BUDDHA
                                                                                                                                      (NEHANZU)
                                                                                                                                 Japan, dated 1830 (Bunsei 13th
                                                                                                                                 year), Edo period (1615-1868)


                                                                                                                                 A very large and elaborately crafted
                                                                                                                                 hand-painted woodcut print
                                                                                                                                 depicting Nehanzu (the death of
                                                                                                                                 Buddha Shakyamuni, also known
                                                                                                                                 as paranirvana). The original
                                                                                                                                 woodcut was made by Matsubara
                                                                                                                                 Shogetsu in 1816 and was used as
                                                                                                                                 a template for this massive hand-
                                                                                                                                 colored woodcut print. The coloring
                                                                                                                                 was commissioned by a group
                                                                                                                                 of eight votive donors (identified
                                                                                                                                 by name in an inscription to the
                                                                                                                                 back). The inscription in the lower
                                                                                                                                 center of the painting states that
                                                                                                                                 it is based on a treasure collection
                                                                                                                                 at the San’enji Temple which is
                                                                                                                                 better known as the Zojoji Temple,
                                                                                                                                 the Tokugawa shogunates’ family
                                                                                                                                 temple (Bodaiji in Japanese), Edo
                                                                                                                                 (Tokyo). The two inscriptions in the
                                                                                                                                 back read: “the 16th of the Seventh
                                                                                                                                 month, the year of tiger, in the
                                                                                                                                 13th year of the Bunsei era (1830).
                                                                                                                                 This is for the repose of the soul
                                                                                                                                 of the deceased (tsuizen kuyo in
                                                                                                                                 Japanese), Votive donors’ names
                                                                                                                                 listed: Myorin-in, Keirin-in, Shoken-
                                                                                                                                 in, Keikyo-in, Shojaku-in, Kyosho-in,
                                                                                                                                 Seishin-in, Chigen.”
                                                                                                                                 The work is a masterpiece utilizing
                                                                                                                                 two very different techniques. A
                                                                                                                                 massive (or many) woodblock(s)
                                                                                                                                 was required to craft this print.
                                                                                                                                 There are so many incredibly
                                                                                                                                 detailed figures and inscriptions
                                                                                                                                 that it would be simply impossibly
                                                                                                                                 to do this entirely by hand. The
                                                                                                                                 painting, as well, is of the highest
                                                                                                                                 quality. The painting shows Buddha
                                                                                                                                 in the center surrounded by
                                                                                                                                 beings from all dimensional planes,
                                                                                                                                 rakans, Bodhissatvas, heavenly
                                                                                                                                 beings, figures of the underworld
                                                                                                                                 and animals, all coming together
                                                                                                                                 to mourn Buddha Shakyamuni’s
                                                                                                                                 death.

                                                                                                                                 Painting only SIZE 176.4 x 96.6
                                                                                                                                 cm, With mounting SIZE 250.5 x
                                                                                                                                 126.2 cm
                                                                                                                                 Condition: Very good age-related
                                                                                                                                 condition – minor losses, creases,
                                                                                                                                 fading of colors, staining (as visible
                                                                                                                                 in the images provided). There are
                                                                                                                                 some water stains to the back,
                                                                                                                                 which are not visible in the front as
                                                                                                                                 the painting is backed on paper.
                                                                                                                                 Provenance: Collection of Irene and
                                                                                                                                 Wolfmar Zacken.                                               Preparatory drawing by
                                                                                                                                                                                               Matsubara Shogetsu,
                                                                                                                                 Estimate EUR 12.000,-                                         dated Bunka 13 (1816).
                                                                                                                                 Starting price EUR 6.000,-                                    The original size of the woodcut
                                                                                                                                                                                               print  is 177.5 x 98.7 cm.




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