Page 64 - Chinese Jades Nov 30 2017 Hong Kong
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           A CELADON JADE FIGURE OF                  The deity is depicted seated on a lion with its mouth opened
           AVALOKITESHVARA WITH A GILT-BRONZE        in a vigorous growl, depicting ‘Guanyin of the Lion Roar’
           STAND                                     (Simhanada Avalokiteshvara): the intense moment of
           FIGURE: YUAN – MING DYNASTY               transcendent enlightenment. Her serene features convey a
           STAND: QING DYNASTY, 19TH CENTURY         sense of profound thought and wisdom which contrasts with
                                                     the ferocity of the lion. Together, the two figures represent an
           worked seated in rajalilasana on a recumbent lion with its head   image of controlled power and harmony.
           and gaping jaws turned backward and its tail swept against
                                                     The present lot belongs to a group of jade bodhisattvas
           its haunch, all atop a lotus base, the deity with the right hand
                                                     commissioned to furnish Buddhist shrines and probably used
           resting on his raised right knee, further rendered cloaked in
                                                     for private worship. Such figures were also known to exist in
           long flowing robes and adorned with beaded jewellery, the
                                                     other forms of media such as metal, stone, jadeite and wood,
           serene expression framed by a pair of pendulous earlobes and
                                                     and were popular throughout the Ming and Qing dynasties. It
           an elaborate headdress, the gilt-bronze stand bordered with a
                                                     is likely that this figure, although created in the Ming dynasty,
           scrollwork band and a frieze of upright lotus petals, the curved
                                                     continued to serve as an image for worship in the Qing
           mandorla reticulated with a lotus bloom wreathed by scrolling
                                                     dynasty. The gilt-bronze stand, in its size and height, is in
           foliage and a roundel decorated in gilt with a figure at the front
                                                     almost seamless concordance with the jade figure; suggesting
           and in cloisonné enamel with a shou medallion on the reverse,
                                                     this could be a tailor-made addition by a Qing-dynasty
           all within with a flaming border
                                                     worshipper. A closely related example, rendered almost
           figure 14.9 cm, 5⅞ in.
                                                     identically to the present piece but lacking a separate stand,
           stand 23 cm, 9 in.
                                                     is in the collection of Palace Museum, Beijing, illustrated in
                                                     Zhongguo yuqi quanji [Complete collection of Chinese Jades],
           PROVENANCE
                                                     vol. 5, Shijiazhuang, 1993, pl. 313.
           C.C. Teng & Co., Taipei.
           HK$ 90,000-120,000
           US$ 11,600-15,400
           元至明   青白玉觀世音菩薩坐像
           清十九世紀   鎏金銅須彌座連背光
           來源:
           慎德堂,台北

































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