Page 11 - Decorative Arts, Part II: Far Eastern Ceramics and Paintings, Persian and Indian Rugs and Carpets
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ACKNOWLEDGMENTS








                      ORK ON THIS VOLUME  BEGAN more than a decade ago, during which time many individuals, in Washington
                      and elsewhere, shared their knowledge and  expertise, and  offered  encouragement and assistance as the
            W project       took  innumerable  twists and turns. Whenever possible, we have cited  specific  contributions  in
            the text, and we hope that  any ommissions will be regarded as merely accidental rather than  intentional.
                    For their comments on the rugs and carpets we are grateful to Hagop Barin, Steven Cohen, Walter Denny,
            and Daniel Walker. Jerry Dennerline  expertly translated  the inscription on the back of the  Coromandel Screen. Lily
            Kecskes,  Frances  Klapthor,  Daphne  Lange  Rosenzweig,  Clarence  Shangraw,  and  Suzanne  Valenstein  provided
            invaluable assistance with the porcelains in the catalogue. Louise Allison Cort, Thomas Lawton, and Jan Stuart lent
            their expertise to the combined  installation of the Widener  and Steele ceramics in the permanent galleries.
                    We are grateful  to  staff  from  many departments within  the  National Gallery. We are especially  grateful
            to Philip A. Charles, Jr., in the department  of visual services for making the more than two hundred  photographs
            published  here, with  assistance  from  Rebecca Abrams and  Lorene Emerson. The  late  Gaillard  Ravenel  offered
            valuable advice throughout  the course of the photography. The photography would not have been possible with-
            out  the many hours of work accomplished  by the  staff  of the registrar's  office,  headed  by Sally Freitag, especially
            Gary Webber.  In  the  library, headed  by Neal Turtell, we were aided  by Ted Dalziell  and  Thomas McGill. In  the
            office  of  curatorial  records  we are  grateful  to Anne  Halpern  and  Nancy Yiede for their  meticulous  tracking  of
            provenance. In  the  department  of sculpture, Douglas  Lewis and  Alison Luchs provided  curatorial  supervision.
            Julia Burke, textiles conservator, offered  valuable advice on the rugs and carpets. John O. Hand  and  Bill Williams
            read and reread the text, offering  countless comments throughout  the long process. The editors office, headed by
            Frances P. Smyth, was responsible for managing the preparation and production  of this book over a period of sev-
            eral years. We are grateful to Janet Blyberg, Chris Vogel, Katherine Whann, and Mary Yakush, as well as to design-
            er Dana  Levy and  editor  and  indexer  Lys Ann  Shore.


































                                                                   A C K N O W L E D G M E N T S        XI
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