Page 211 - Decorative Arts, Part II: Far Eastern Ceramics and Paintings, Persian and Indian Rugs and Carpets
P. 211

1972.43-40 (C-595)

                                                                             Figure  of  a Daoist  Deity

                                                                             Qing dynasty, Kangxi period  (1662-1722)
                                                                             Porcelain with famille jaune and famille  noire enamels on
                                                                               the  biscuit, 26 (ioV4)
                                                                             Harry G. Steele Collection, Gift  of Grace C. Steele
                                                                             TECHNICAL NOTES
                                                                             This  figure  is thickly molded in  porcelain and  has  a flat base
                                                                             with  a vent-hole at the  center. Repairs  have been made in  the
                                                                             fingers and moustache.
                                                                             PROVENANCE
                                                                             Harry G. Steele  [1881-1941], Pasadena; his widow, Grace C. Steele.

                                                                               IGURES  OF THIS  TYPE,  representing  Daoist, Confucian,
                                                                             F and Buddhist deities, are a common Kangxi product.
                                                                             This example is decorated on the biscuit with enamels in
                                                                             the famille jaune and famille  noire palettes. The  standing
                                                                             figure has a high  crown  and  holds  a gui scepter  (a sym-
                                                                             bol  of official  rank)  in his right hand. He is dressed in a
                                                                            jacket  and  a  long  gown.  The jacket  is decorated  in  the
                                                                            famille  noire palette with magnolias and plum  blossoms,
                                                                            and  the  gown  in  the famille jaune palette  with  clouds,
                                                                            flaming jewels, and  stylized hexagrams. The cuffs, collars,
                                                                            and  hems  are painted  with  elaborate border  and  diaper
                                                                            patterns.  The  enamels  include  black,  yellow, green,  and
                                                                            aubergine, and there is additionally a colorless glaze. The
                                                                            crown has a small hole at the top that may originally have
                                                                            held a plume or other  decoration.
                                                                              The presence of the crown, gui scepter, and trigrams on
                                                                            the robe indicate that the figure is a deity of the Daoist pan-
                                                                            theon, possibly either Wen Chang, the  God of Literature,
                                                                                                       1
                                                                            or  Lu Xing, the  God  of Emolument.  The  figurine  would
                                                                            likely  have  originally  formed  part  of  a  larger  group  of
                                                                            Daoist  deities  on  a temple  or  home  altar. Many of these
                                                                            figurines  have  survived  from  the  Kangxi period.  In  the
                                                                            eighteenth century they became very popular in Europe.
                                                                                                                    SL
                                                                            NOTES
                                                                            i.  On  Wen  Chang, see Werner  1932, 554-558. On  Lu Xing, see
                                                                            Henri Maspero, "The Mythology of Modern China," in Hackin et
                                                                            al.  1963, 344-345. On  the  symbolism of  the  eight  trigrams, see
                                                                            Williams 1976,148-151.




















                                                                                        P O R C E L A I N S         195
   206   207   208   209   210   211   212   213   214   215   216