Page 46 - March 22 2022 Bonhams
P. 46

PROPERTY FROM THE HAROLD AND RUTH NEWMAN
           COLLECTION
           137
           A PAIR OF PAINTED POTTERY FIGURES OF POLO PLAYERS  The popularity of the sport of polo in Tang China is evidenced by the
           Tang Dynasty                                      various models of these figures, shown either riding on ‘galloping’
           The horses modeled in full gallop with front and back legs   horses without support, or on horses firmly standing on rectangular
           outstretched and with heads tilted slightly to one side and ears   bases. The earliest literary references to stories of Polo-playing within
           pricked in a naturalistic pose, the male riders leaning forward and   the Imperial elite date to the 7th and 8th centuries. A wall mural
           with arms in a game posture, each wearing long tunics with wide   found in the tomb of Li Xian, Crown Prince Zhanghuai, datable to the
           lapels and a tight fitting cap with rounded top section, the horses   years 706-711, is illustrated by J. Fontein and Wu Tung, Han and
           bodies with traces of white pigment with painted details, the riders in   Tang Murals, Boston, 1976, p. 101, no’s. 122-125, col. pl. 15. See
           differing pigments of opposing teams.             also R. Harrist, Power and Virtue, The Horse in Chinese Art, Chinese
           13 5/8in and 13 1/4in (34.7cm and 33.8cm) length;   Institute in America, New York, 1997, pp. 74-75, nos. 11-12, for
           11 3/8in and 10 5/8in (29.2cm and 27.2cm) high    further discussion of polo playing in Tang China.

           $15,000 - 25,000                                  For a set of three female polo players on ‘galloping’ horses, see
                                                             Christie’s, New York, 30 May 1991, lot 263; and another pair at
           唐 彩繪陶馬暨馬球球員                                       Christie’s, New York, 27 November 1991, lot 305.

                                                             For other related types see, Qin Yanyu, Zhongquo gudai taoci yishu,
           Provenance                                        Shanghai, 1955, pl. 37, for one male and one female rider, apparently
           Sotheby’s New York, 19 March 1997, lot 189        excavated in Luoyang, Henan province; Hasobe and Sato, Sekai
           The Harold and Ruth Newman Collection, Connecticut, 1997-2022   toji zenshu, vol. 11, Tokyo, 1976, pl. 183 for a single female player
                                                             in the Tenri Museum, Japan; and four riders from the Nelson-Atkins
           出處:                                               Museum of Art, illustrated in the Handbook of the Collection, Kansas
           紐約蘇富比,1997 年 3 月 19 日,拍品第 189 號                   City, vol. II, 1973, p. 81.
           康州 Harold and Ruth Newman 藏,1997-2022
                                                             The result of Oxford thermoluminescence test no. 766y40 is
                                                             consistent with the dating of this lot.


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