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PROPERTY FROM THE COLLECTION OF LAWRENCE AND SHIRLEY PHILLIPS

                                                                                                          265
                                                                                                          A SANDSTONE FIGURE OF A SEATED BUDDHA
                                                                                                          PRE-ANGKOR PERIOD, ANGKOR BOREI STYLE,
                                                                                                          7TH CENTURY
                                                                                                          19 in. (48.2 cm.) high
                                                                                                          $30,000-50,000

                                                                                                                                                               PROVENANCE:

                                                                                                          with Spink & Son, London, by 1996.
                                                                                                          Christie’s Amsterdam, 2 November 1999, lot 135.

                                                                                                                                                               PUBLISHED:

                                                                                                          Spink & Son, Legacies of Ancient Civilisations:
                                                                                                          A Selection of Indian and South-East Asian Works of Art,
                                                                                                          London, 1996, no.35
                                                                                                          S. Wattanavrangkul, Outstanding Sculptures of
                                                                                                          Buddhism and Hindu Gods, Bangkok, 2003, p. 136
                                                                                                          S. Little, “Images of the Buddha from the Michael
                                                                                                          Phillips Collection,” Arts of Asia, Jan-Feb 2013, p.108,
                                                                                                          fg.16
                                                                                                          Angkor Borei was an important early center of
                                                                                                          Buddhism and Buddhist temple construction before
                                                                                                          the establishment of the Khmer Empire. The present
                                                                                                          fgure is characteristic of Angkor Borei sculpture, as
                                                                                                          seen in the subtle protuberance of the ushnisha and
                                                                                                          the large snail-shell curls. Sculpture from this early
                                                                                                          period exhibits the naturalism and grace that echoes
                                                                                                          the treatment of the body in Gupta-period India, where
                                                                                                          ornamentation is minimized to emphasize the smooth
                                                                                                          volume of the form. Note how the thin drapery closely
                                                                                                          follows the body, gently modeling the belly. For another
                                                                                                          example from Angkor Borei, this one a standing fgure
                                                                                                          exhibiting the same facial features and treatment of the
                                                                                                          body, see H. Jessup and T. Zéphir, Millennium of Glory,
                                                                                                          Washington, 1997, pp.146-7, fg.no.2.

Spink & Son, Legacies of Ancient Civilisations: A Selection of Indian and
South-East Asian Works of Art, London, 1996, cover and p.18
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