Page 71 - Sothebys Chinese Art St. George St London May 2018
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           A PALE!GREEN GLAZED              AN IMPERIAL YELLOW!GROUND         A ‘DUAN’ STONE ‘PRUNUS AND
           ‘LANDSCAPE’ TABLE SCREEN         EMBROIDERED ‘DRAGON’              BAMBOO’ SCREEN
           QING DYNASTY, 19TH CENTURY       CUSHION                           QING DYNASTY, 18TH/19TH
                                            QING DYNASTY, 18TH CENTURY        CENTURY
           of rectangular form, intricately carved in relief
           of an idyllic mountainous landscape detailed   of hexagonal form, each side embroidered in   of rectangular form, skilfully carved with sprays
           with gated garden terraces and pavilions, amidst   gold with a frontal Þ ve-clawed dragon roundel   of yellow blooming prunus issuing from a gnarled
           craggy rockwork and towering willow and pine   confronting a ‘ß aming pearl’ amidst ruyi clouds   branch to the right, with green leaÞ ng bamboo
           trees, with a seal on the right reading Ma Henghe   and lotus foliates, the top similarly decorated, the   beneath, all against a rich brown ground, wood
           yin (seal of Ma Henghe), the top covered with a   underside with a central bloom surrounded by   stand
           pale green glaze, carved hongmu wood stand  ß ying bats            (2)
           (2)                              27 cm, 10⅝ in.                    38.4 cm, 15⅛ in.
           37.1 cm, 14⅝ in.
                                            £ 2,000-3,000    US$ 2,850-4,250     PROVENANCE
           PROVENANCE
                                                                              Collection of Mr and Mrs R. Soame Jenyns,
           Fine and Rare Chinese Works of Art and Ceramics:   ૶ɤɞ˰ߏ   ੿ႡරήᔐථᎲႼम७ʬ↉ྦ   Bottisham Hall, Cambridgeshire.
           Summer Exhibition, Roger Keverne Ltd, London,
           1999, cat. no. 52.                                                 LITERATURE
           The seal on the present screen appears to                          R. Soame Jenyns and William Watson, Chinese
                                                                              Art. The Minor Arts, vol. 2, London, 1965, pl. 176.
           belong to Ma Henghe, a craftsman notable
           for his porcelain carving style that echoes the
           naturalism in landscape painting. He belongs to                    Ⴚ £ 6,000-8,000    US$ 8,500-11,300
           a group of porcelain craftsmen active during the
                                                                              ૶ɤɞ ɤɘ˰ߏ   ၌ͩૠڀၯ϶७ࣩ܈
           Daoguang period (r. 1821-1850) when new styles
           of production were actively pursued.
                                                                              Ը๕
           panel width 37cm
                                                                              3  4PBNF +FOZOT ͸ᙨϗᔛd ᄏ዗য় #PUUJTIBN ୿෤
           Ⴚ £ 3,000-4,000    US$ 4,250-5,700
                                                                              ̈و
           ૶ɤɘ˰ߏ   ڡཊʆ˥ྡࣩ܈                                                    3  4PBNF +FOZOT ʿ 8JMMJBN 8BUTPOd$IJOFTF "SU
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           'JOF BOE 3BSF $IJOFTF 8PSLT PG "SU BOE $FSBNJDT
           4VNNFS &YIJCJUJPO‘d 3PHFS ,FWFSOF -UEd ࡐ౱d
               ϋd ᇜ໮

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