Page 202 - C.T. Loo A paper about his impact and activities in the Chinese art Market
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                       shown at the Academy of Inscriptions and Belles Letters in Paris today by a


                       corresponding member, M. Rostovtseff (sic.). The specimen is extremely rare and

                       represents a Nomadic rider mounted on a winged lion. It was probably an ornament on


                                                  398
                       the cover of a libation vase.”  What made this reported event a spectacle was not just
                       the rare object, but also an important site of display, an important collector, an important


                                                      399
                       scholar, and an important dealer.
                           The following analysis of the spectacles that Loo created, and his presentational


                       strategies will further illuminate the network of relations and the conceptual issues in the

                       field of Chinese art in America. The central question in this chapter is: how was the


                       display of Chinese art turned into a theatre for Loo’s crafting and performance of power

                       and identity? 400

                                                    The Grand and Grotesque


                           Loo was probably best known for his dealing in large-size stone sculptures in

                               401
                       America.  The Art Digest review of Loo’s 1940 Exhibition of Chinese Stone Sculptures

                       observed, “The show is outstanding mainly for its demonstration of ancient China’s




                       398
                           “Old Bronzes Shown in Paris: Rare Statuette Bought by Rockefeller Exhibited at
                       Academy,” New York Times, June 20, 1926.
                       399  The Academy of Inscriptions and Belles Letters (Académie des Inscriptions et Belles-
                       Lettres) was a prestigious French learned society devoted to the study of antiquities,
                       languages, and cultures.
                       400
                          Display space in this dissertation refers not only to museums, commercial galleries,
                       but also to printed media, where Chinese objects and their images were circulated,
                       presented, and viewed.
                       401 Similar strategies were employed by the art dealer Dikran G. Kelekian, who displayed
                       the Lord Wimborne collection of sixteen Assyrian relief sculptures and two winged bulls
                       in the UPM before they were sold to John D. Rockefeller Jr. for $ 300,000. (Dikran G.
                       Kelekian to JDR Jr., February 3 and 8, 1928, folder 1360, Kelekian, 1913-1959, box 136,
                       OMR-RAC)
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