Page 313 - C.T. Loo A paper about his impact and activities in the Chinese art Market
P. 313
313
--- “T’ai Tsung’s Six Chargers.” In the Burlington Magazine for Connoisseurs
(September 1923): 117-8.
Wallach, Alan. Exhibiting Contradiction: Essays on the Art Museum in the United States.
Amherst: University of Massachusetts Press, 1998.
Wang Q. Edward. Inventing China through History: The May Fourth Approach to
Historiography. Albany: State University of New York Pres, 2001.
“War View of the Chinese Aesthetic.” Art News, April 15-30, 1942.
Ward, Roger and Patricia J. Fidler eds. The Nelson-Atkins Museum of Art: A Handbook of
the Collection. New York: Hudson Hills Press, 1993.
Warren, Karen J. Introduction: A Philosophical Reflection on the Ethics and Response of
Cultural Properties Issues to The Ethics of Collecting Cultural Property: Whose
Culture? Whose property? Edited by Phyllis Mauch Messenger. Albuquerque:
University of New Mexico Press, 1999.
Washburn, Gordon Bailey. “Foreword.” In Lee, Sherman E. Asian Art: Selections from
the Collection of Mr. and Mrs. John D. Rockefeller 3rd. New York: Asia Society,
1970.
Waterbury, Florance. Early Chinese Symbols and Literature: Vestiges and Speculations,
with Particular Reference to the Ritual Bronzes of the Shang Dynasty. New York:
E. Weyhe, 1942.
Watson, Peter. From Manet to Manhattan: The Rise of the Modern Art Market. New
York: Random House, 1992.
Watson, William. Introduction to Archeology in China. London: Max Parrish, 1960.
Weisberg, Gabriel P. “Japonisme: The Commercialization of An Opportunity.” In
Japonisme Comes to America: The Japanese Impact on Graphic Arts, 1876-
1925.Edited by Julia Meech-Pekarik and Gabriel Weisberg. New York: Harry N.
Adams, 1990.
Weston, Victoria. Japanese Painting and National Identity: Okakura Tenshin and His
Circle. Ann Arbor: Center for Japanese Studies, University of Michigan, 2004.
White, William Charles, Bishop. The Tombs of Old Lo-Yang; a Record of the
Construction and Contents of a Group of Royal Tombs at Chin-ts'un. Shanghai:
Kelly and Walsh, 1934.
Wildenstein and Company. Great Chinese Painters of the Ming and Ch'ing Dynasties,
XV to XVIII Centuries. A loan exhibition for the benefit of the Asia Institute, March
11 to April 2, 1949. New York, 1949.
Willets, William. Foundation of Chinese Art. New York: McGraw-Hill Book Company,
1965.
Williams, Robert. Art Theory: An Historical Introduction. Malden: Blackwell, 2004.
Wines, Enoch Cobb. A Peep at China in Mr. Dunn's Chinese Collection: with
Miscellaneous Notices Relating to the Institutions and Customs of the Chinese, and
Our Commercial Intercourse with Them. Philadelphia: Printed for Nathan
Dunn, 1839.
Wolf, Marion. “the Lohans from I-Chou.” Oriental Art. Vol. 15, No. 1 (1969): 51-57.
Wölfflin, Heinrich. Principles of Art History. New York: Dover Publications, 1950.
Wolohojian Stephan et al eds. A Private Passion: 19 th Century Paintings and Drawings