Page 60 - C.T. Loo A paper about his impact and activities in the Chinese art Market
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                       tantalizing invitation to those who had not seen Loo’s exhibition.  In addition to

                       catalogues, exhibition announcements, and reviews, more direct advertisements of Loo’s

                       business and special exhibitions appeared in the Art News, and Parnassus on a regular


                       basis. Loo’s advertisement often featured one eye-catching item in his current exhibition.

                       The cover of the January 6, 1940 issue of the Art News for example was occupied by the


                       image of the stone lion (MFA 40.70) on display at the Loo’s Exhibition of Chinese Stone

                       Sculptures (Fig. 4).


                           Compared with catalogues and reviews devoted to Loo’s collections and exhibitions,

                       publications of a scholarly nature served as equally effective advertisements for Loo. Loo


                       often supplied scholars or museums with objects for their publication/exhibition projects.

                       Alfred Salmony’s monograph, Carved Jade of Ancient China, included at least twenty

                                                                 81
                       pieces  in Loo’s collection (Salmony 1938).  Loo also contributed several pieces to the

                       University Museum’s  exhibition and the accompanying catalogue, Archaic Chinese

                       Jades in 1940. Several items included in Loo’s 1950 Exhibition of Chinese Archaic Jades


                       benefited from their publication history in Salmony’s book and the University Museum’s

                       1940 exhibition catalogue (Loo 1950).


                                                             Exhibition

                           Objects in Loo’s holding could be organized and displayed in various ways. Some of


                       the exhibitions showcased objects in a wide range of media. Loo’s 1941-2 sale, the

                       Exhibition of Chinese Arts, included all the major categories that Loo dealt in: bronze,


                       80
                         The future display of the bronze vessel as a loan in the Met could well be an extension
                       of Loo’s publicity campaign.
                       81  The number may be larger because the book also included a few pieces from
                       G.L.Winthrop and Freer Gallery collections, which were acquired from Loo.
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